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COME OVER TO THE DARK SIDE
by
Bloomfield, Ruth
in
Ahern, Abigail
/ Carlisle, Matthew
2011
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COME OVER TO THE DARK SIDE
by
Bloomfield, Ruth
in
Ahern, Abigail
/ Carlisle, Matthew
2011
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Newspaper Article
COME OVER TO THE DARK SIDE
2011
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Overview
\"People thought I was crazy,\" she says. \"I know it doesn't sound very nice but it is amazing. Because the room has a lot of light coming in and the walls have a shine and really reflect the light, it's not dark at all. People come round and always say: 'Wow, your house is so cool' - although I'm not sure how many of them would do it themselves.\" [Abigail Ahern] often paints the ceiling in a dark colour, as well as the walls. \"That way you get fewer boundaries,\" she says. \"If you do the floor, then the furniture just floats, and it limits the horizontals.\" For dark-hued paints Ahern rates Farrow & Ball (www.farrow-ball.com), for its depth of colour, as well as the French paint firm Ressource (www.ressource-decoration.com), which has a dark palette with a wonderful velvety effect. Farrow & Ball has four shades of black on its 132-strong colour card plus an increasingly popular charcoal grey shade - the slightly unappealingly named Downpipe - which recently moved from \"small batch\" production and into the firm's mainstream production line. A spokeswoman says the company had noticed customers were growing more adventurous in their colour choices, and seeking out dark colours - including deep, deep browns, greens and blues - in order to create \"drama and intimacy\".
Publisher
Independent Digital News & Media
Subject
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