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High Places cope with a sudden reverse
High Places cope with a sudden reverse
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High Places cope with a sudden reverse
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High Places cope with a sudden reverse
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High Places cope with a sudden reverse
High Places cope with a sudden reverse
Newspaper Article

High Places cope with a sudden reverse

2011
Request Book From Autostore and Choose the Collection Method
Overview
Fortunately, this hasn't sounded the death knell for the tour that will bring them to the Garrison on Monday night, High Places' live setup being reliant on much haphazardly wired analog gear and weird percussion instruments in addition to the dense, digitally collaged beats and whorls of disorienting sound that [Rob Barber] is confident he can rescue from his mangled computer. Good news, that, because the duo's latest album, Original Colors - the most streamlined, accessible and downright danceable record yet appended to their catalogue of tripped-out, pan-cultural electro-pop - is a whopper and threatens to translate into a truly transporting performance. [Mary Pearson]: The basic plan of High Places has always been to have a bed of ambience or atmospherics, and from there we pull melodies and rhythms that people can relate to. But we've never had any sort of rules for getting there and I think that's given us the freedom to experiment quite a bit, just creating sounds out of various things and manipulating them. That's the goal we've stuck to.
Publisher
Torstar Syndication Services, a Division of Toronto Star Newspapers Limited