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Case for ghostbusters?
by
Fernandez, Enrique
in
Classical music
/ Horowitz, Vladimir
/ Kreeger, Julian
/ Live recordings
/ Magnetic tape
/ Musical performances
/ Musicians & conductors
/ Piano
/ Polhmann, Ken
/ Rachmaninoff, Sergei
/ Record producers
/ Sound
/ Walker, John
2006
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Do you wish to request the book?
Case for ghostbusters?
by
Fernandez, Enrique
in
Classical music
/ Horowitz, Vladimir
/ Kreeger, Julian
/ Live recordings
/ Magnetic tape
/ Musical performances
/ Musicians & conductors
/ Piano
/ Polhmann, Ken
/ Rachmaninoff, Sergei
/ Record producers
/ Sound
/ Walker, John
2006
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Newsletter
Case for ghostbusters?
2006
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Overview
The resurrection of [Sergei Rachmaninoff], as well as other classical and jazz piano greats, comes courtesy of Zenph Studios in Raleigh, N.C. They made news last year with a technology that takes historic recordings, cleans them up, and then programs them into a Disklavier, a computerized grand piano that will play, for example, exactly what Rachmaninoff played and recorded as if he were sitting there playing. A typical reaction from the classical world to the Zenph breakthrough is that of Julian Kreeger, South Florida's major chamber music presenter and a record producer -- when he's not practicing his profession, the law. He points out that classical pianists favored different kinds of pianos, while the Disklavier is only one. Is artistry sacrificed for the sake of perfection? Kreeger plays a 1931 recording by Vladimir Horowitz of Lizst's Liebestraum. \"He played more wrong notes than right ones,\" Kreeger says when it's over. \"But it's an exciting performance.\"
Publisher
Tribune Content Agency LLC
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