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The Return of the Repressed
The Return of the Repressed
by Cui, Shuqin
in behind the operatic mask, costume, a reshaped male, repressed homosexuality / early new wave films, a repressed masculinity through guise of national allegory / early new wave films, late 1980s to early 1990s, mid‐1990s, late 1990s onward / female body gendered, a rhetorical figure projecting male desires / films, and repressed masculinities, hegemonic of power negotiation / masculinity and femininity iconography, reputation for Chinese‐language cinema / New Wave cinema, allegorical, recovering a repressed masculinity / opera role dan and transgendered identity, idealized femininity on stage / return of the repressed, masculinity and sexuality reconsidered / Shuqin Cui, on Chinese films after the mid‐1980s, the return of the repressed
2012
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The Return of the Repressed
by Cui, Shuqin
in behind the operatic mask, costume, a reshaped male, repressed homosexuality / early new wave films, a repressed masculinity through guise of national allegory / early new wave films, late 1980s to early 1990s, mid‐1990s, late 1990s onward / female body gendered, a rhetorical figure projecting male desires / films, and repressed masculinities, hegemonic of power negotiation / masculinity and femininity iconography, reputation for Chinese‐language cinema / New Wave cinema, allegorical, recovering a repressed masculinity / opera role dan and transgendered identity, idealized femininity on stage / return of the repressed, masculinity and sexuality reconsidered / Shuqin Cui, on Chinese films after the mid‐1980s, the return of the repressed
2012
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The Return of the Repressed
The Return of the Repressed
by Cui, Shuqin
in behind the operatic mask, costume, a reshaped male, repressed homosexuality / early new wave films, a repressed masculinity through guise of national allegory / early new wave films, late 1980s to early 1990s, mid‐1990s, late 1990s onward / female body gendered, a rhetorical figure projecting male desires / films, and repressed masculinities, hegemonic of power negotiation / masculinity and femininity iconography, reputation for Chinese‐language cinema / New Wave cinema, allegorical, recovering a repressed masculinity / opera role dan and transgendered identity, idealized femininity on stage / return of the repressed, masculinity and sexuality reconsidered / Shuqin Cui, on Chinese films after the mid‐1980s, the return of the repressed
2012

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Mohammed Bin Rashid Library /
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The Return of the Repressed
The Return of the Repressed
Book Chapter

The Return of the Repressed

Cui, Shuqin
2012
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Overview
This chapter contains sections titled: The Anxiety of Masculinity Returning to History, Revising Historiography Family Melodrama and the Search for Masculinity Conclusion
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Publisher
Wiley‐Blackwell
Subject

behind the operatic mask, costume, a reshaped male, repressed homosexuality

/ early new wave films, a repressed masculinity through guise of national allegory

/ early new wave films, late 1980s to early 1990s, mid‐1990s, late 1990s onward

/ female body gendered, a rhetorical figure projecting male desires

/ films, and repressed masculinities, hegemonic of power negotiation

/ masculinity and femininity iconography, reputation for Chinese‐language cinema

/ New Wave cinema, allegorical, recovering a repressed masculinity

/ opera role dan and transgendered identity, idealized femininity on stage

/ return of the repressed, masculinity and sexuality reconsidered

/ Shuqin Cui, on Chinese films after the mid‐1980s, the return of the repressed

ISBN
1444330292, 9781444330298

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