Explore the vast range of titles available.

[...]they have been less scrutinised by regulatory bodies around the world, but given the sky-high growth of the market, and that they can be traded for profit, all that may change. According to DappRadar’s industry report for 2021, NFT trading volume for the year was set to surpass $23bn. Julian So, co-founder of tech companies Marvion and Coinllectibles, describes his company’s “hybrid” or “fusion” NFTs as a combination of an intangible asset in the virtual world backed up by a licence or copyright agreement in the real world.

Wanda Pictures’ Fireflies In The Sun, described as a sequel to 2019 hit crime drama Sheep Without A Shepherd, topped the box office on its opening weekend in China (December 17-19), according to figures from Artisan Gateway, grossing $54.2m in three days. Fireflies In The Sun has a different director in Dai Mo (Detective Chinatown TV series) and the rest of the cast – which includes Hong Kong actors Simon Yam and Janice Man – are also different. [...]those figures mean that China is comfortably the biggest box office market in the world in 2021, ahead of North America, which will have an estimated $4.4bn by year end, according to Comscore.

[...]Amazon has focused its local production efforts on the Asia Pacific territories where it has a large e-commerce business – Japan, India and Australia – and has not unveiled any production plans in the languages widely spoken in Southeast Asia, such as Chinese, Thai or Bahasa Indonesian. When it comes to streaming and content creation, it will be entering one of the most competitive markets in the world, as Netflix, WarnerMedia and Disney+ are already deeply engaged in local-language production in Southeast Asia, along with Chinese streamers iQiyi and Tencent, and local players such as Indonesia’s Vidio and Hong Kong-based Viu. At the end of the day, Amazon Studios aims to be the true home of talent and creators in that we want to be asking them some of the most pertinent questions about what they haven’t had the opportunity to make, and what can Amazon do to provide the resources, infrastructure and distribution to amplify those stories.”