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"Silbergeld, Jerome"
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Michael Sullivan and his Study of Modern and Contemporary Chinese Painting
The late Michael Sullivan was the foremost pioneer in the study of 20th-century Chinese painting and the roots of modernity in Chinese art history. This essay examines the biographical factors and underlying values that consistently shaped and appear in his many writings on the subject.
Journal Article
Bitter Songs and Poetic Images: An Introduction to Susan Bush's \Mi Youren's and Sima Huai's Joint Poetry Illustrations\
Susan Bush's article here and Peter Sturman's article, \"Family Matters: The Poetic Ideas Scroll Attributed to Mi Youren and Sima Huai,\" recently published.2 Archives of Asian Art previously published an important article lamenting the decline of connoisseurship in our age and two rejoinders. 3 These two articles by Bush and Sturman demonstrate that even if the decline of Chinese connoisseurial study is real, the death knell for it has tolled much too soon for such an essential aspect of the discipline. [...]Bush and Sturman agreed decades ago that both paintings in this scroll might be by one artist but disagreed about which one: [...]both authors have explained the imagery of these paintings and the context of their production as an artistic engagement with the conditions of scholarly service in this most troubled period of Song history.
Journal Article
From Studiolo to Chaekgeori, A Transcultural Journey: An Introduction to Sunglim Kim's \Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea\
Popular in the eighteenth and nineteenth centuries of the Joseon dynasty, chaekgeori's depiction of books and display shelves remains as little known in much of the art world today as Korean art itself, but its family history reveals a widespread range of cultural transmission stretching from Renaissance Europe through far eastern Asia at the end of the dynastic era. Implicated in this transmission is the spread of book culture, humanistic values, the establishment of modern habits of collection and display, and the rise of the today's public art and natural history museums. No studiolo was itself a more spectacular work of art than that from the from Ducal Palace in Gubbio, completed in 1482 and now in the Metropolitan Museum: a breathtaking masterpiece of intarsia, inlaid wood that creates a tromp l'oeil image of cabinets with doors partly opened to reveal their many contents, even the illusion of a small side room that serves as bird cage.
Journal Article
Dzieci melodramatu. Nie-dramat, pseudo-dramat, melodramatyczna maskarada i dramat dekonstrukcyjny (cz. 2)
Druga część tekstu, w której autor analizuje różne sposoby wykorzystania konwencji melodramatu w kinie chińskim Piątej Generacji w relacji do klasycznej definicji melodramatu ukształtowanej w dziewiętnastowiecznej Francji. Kino Piątej Generacji odznacza się niezwykłą kreatywnością i żywotnością. Autora interesuje w kinie tego nurtu wyrafinowane połączenie chińskiej specyfiki kulturowej i nowoczesnego języka filmowego, który wywodzi się z trendów zachodnich. Silbergeld omawia filmy twórców, których dzieciństwo i wczesna młodość przypadała na lata Rewolucji Kulturalnej. Analizie poddaje m.in. takie filmy, jak Król dzieci w reż. Chena Kaige czy Zawieście czerwone latarnie w reż. Zhanga Yimou. Tekst jest tłumaczeniem rozdziału z książki Jerome’a Silbergelda China into Film: Frames of Reference in Contemporary Chinese Cinema, Reaktion Books, London 1999. © 1999 by Reaktion Books. Ze względu na ograniczenia praw autorskich artykuł jest dostępny tylko w wydaniu papierowym.
Journal Article
In memoriam : Michael Sullivan and his study of modern and contemporary Chinese painting
Provides an obituary for the Canadian scholar Michael Sullivan, who specialized in the study of Chinese painting.
Journal Article