Catalogue Search | MBRL
Search Results Heading
Explore the vast range of titles available.
MBRLSearchResults
-
DisciplineDiscipline
-
Is Peer ReviewedIs Peer Reviewed
-
Reading LevelReading Level
-
Content TypeContent Type
-
YearFrom:-To:
-
More FiltersMore FiltersItem TypeIs Full-Text AvailableSubjectPublisherSourceDonorLanguagePlace of PublicationContributorsLocation
Done
Filters
Reset
396
result(s) for
"Stokes, Martin"
Sort by:
Afterword
2024
This afterword considers Istanbul as a site of translation (architectural, acoustic, sonic, musical, poetic) – an approach to the city richly suggested in all of the articles in this themed issue. Might we consider the matter of translation in terms of the kinds of (radically opposed) comparative epistemologies that were being developed in Istanbul by Auerbach and Spitzer (principally, but other refugee scholars too, considering the work of Emily Apter) in the 1930s? How – viewed through such a lens – has Istanbul been configured as a global site of translation “between East and West,” and how have Istanbul’s intellectual worlds themselves forged the very terms with which we think “between East and West” (or “globally”)? And what happens when we replace or enhance “comparative literature” with “comparative music/sound studies” as our framework? Does this make Istanbul “special,” in historical terms?
Journal Article
30-year record of Himalaya mass-wasting reveals landscape perturbations by extreme events
by
Whitworth, Michael R. Z.
,
Stokes, Martin
,
Boulton, Sarah J.
in
704/2151
,
704/4111
,
Earthquake damage
2021
In mountainous environments, quantifying the drivers of mass-wasting is fundamental for understanding landscape evolution and improving hazard management. Here, we quantify the magnitudes of mass-wasting caused by the Asia Summer Monsoon, extreme rainfall, and earthquakes in the Nepal Himalaya. Using a newly compiled 30-year mass-wasting inventory, we establish empirical relationships between monsoon-triggered mass-wasting and monsoon precipitation, before quantifying how other mass-wasting drivers perturb this relationship. We find that perturbations up to 5 times greater than that expected from the monsoon alone are caused by rainfall events with 5-to-30-year return periods and short-term (< 2 year) earthquake-induced landscape preconditioning. In 2015, the landscape preconditioning is strongly controlled by the topographic signature of the Gorkha earthquake, whereby high Peak Ground Accelerations coincident with high excess topography (rock volume above a landscape threshold angle) amplifies landscape damage. Furthermore, earlier earthquakes in 1934, 1988 and 2011 are not found to influence 2015 mass-wasting.
Significant mass-wasting perturbations can be caused by 5–30 year return period extreme rainfall and by earthquake induced landscape preconditioning damage.
Journal Article
On the Beach
2021
How has \"the migrant crisis\" affected musicology? What \"edges\" now appear, with what implications for musicology's persistent call to historicize? This article suggests these have been more persistent questions than the current language of \"crisis\" might suggest. Taking some examples with the ongoing Syrian war as a backdrop, the implications of Mieke Bal's injunction to \"remember with\" are explored as a route to thinking through the dilemmas of activism and compassion.
Journal Article
Music and the Global Order
2004
Often music is used as a metaphor of global social and cultural processes; it also constitutes an enduring process by and through which people interact within and across cultures. The review explores these processes with reference to an anthropological and ethnomusicological account of globalization that has gathered pace over the last decade. It outlines some of the main ethnographic and historical modes of engagement with persistent neoliberal and other music industry-inspired global myth making (particularly that associated with world music), and argues for an approach to musical globalization that contextualizes those genres, styles, and practices that circulate across cultural borders in specific institutional sites and histories.
Journal Article
Celtic modern
by
Bohlman, Philip V
,
Stokes, Martin
in
Celtic music
,
Celtic music -- History and criticism
,
Ethnomusicology
2003
The study of 'Celtic' culture has been locked within modern nationalist paradigms, shaped by contemporary media, tourism, and labor migration. Celtic Modern collects critical essays on the global circulation of Celtic music, and the place of music in the construction of Celtic 'Imaginaries'. It provides detailed case studies of the global dimensions of Celtic music in Scotland, Wales, Ireland, Brittany, and amongst Diasporas in Canada, the United States and Australia, with specific reference to pipe bands, traditional music education in Edinburgh, the politics of popular/traditional crossover in Ireland, and the Australian bush band phenomenon. Contributors include performer musicians as well as academic writers. Critique necessitates reflexivity, and all of the contributors, active and in many cases professional musicians as well as writers, reflect in their essays on their own contributions to these kind of encounters. Thus, this resource offers an opportunity to reflect critically on some of the insistent 'othering' that has accompanied much cultural production in and on the Celtic World, and that have prohibited serious critical engagement with what are sometimes described as the 'traditional' and 'folk' music of Europe.
Musical Ethnicity: Affective, Material and Vocal Turns
2017
This essay reconsiders the introductory chapter to \"Ethnicity, Identity and Music \" (Stokes 1994). The contributions to the volume as a whole are located in the broader ethnicity paradigms developed by Edwin Ardener (and his milieu) in Oxford in the 1980s, and the original theoretical model of the introductory chapter is clarified. Seen in the light of more recent theorisations of affect, materiality and voice, one can see not only the limitations of Ardener's ethnicity and identity paradigms, but also their continued theoretical salience, emphasising as they do the performativity of signs, the power relations implicit in muting, and the necessity of an integrated vision of history and ethnography. The article refers to, and discusses in passing, some ethnomusicological studies of Colombia, Italy and Turkey.
Journal Article
Queer Ricans
by
La Fountain-Stokes, Lawrence
in
Caribbean & West Indies
,
Ethnic Studies
,
Hispanic American Studies
2009
Exploring cultural expressions of Puerto Rican queer migration from the Caribbean to New York, Philadelphia, Chicago, and San Francisco, Lawrence La Fountain–Stokes analyzes how artists have portrayed their lives and the discrimination they have faced. Proposing a radical new conceptualization of Puerto Rican migration, he reveals how sexuality has shaped and defined the Puerto Rican experience in the United States.