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Indonesia is the fourth largest country in the world. It comprises more than 17,000 islands inhabited by 230 million people who speak over 300 different languages. Now the world's largest Muslim nation, Indonesia remains extraordinarily heterogeneous due to the waves of immigration-Buddhist, Hindu, Arab, and European-that have defined the region's history.Fifty years after the collapse of Dutch colonial rule, Indonesia is a nation in the midst of dramatic upheaval. In this broad survey, Jean Gelman Taylor explores the connections between the nation's many communities, and the differences that propel contemporary breakaway movements.Drawing on a broad range of sources, including art, archaeology, and literature, Taylor provides a historical overview from the prehistoric period to the present day. The text is enlivened by brief \"capsule\" histories on topics ranging from pepper to Maharajas to smallpox.This ambitious book-the first new history of Indonesia written in over twenty years-will be essential reading for anyone interested in the history of Southeast Asia and the future stability of the region.

In the 19th century, colonial rule brought the modern world closer to the Indonesian peoples, introducing mechanized transport, all-weather roads, postal and telegraph communications, and steamship networks that linked Indonesia's islands to each other, to Europe and the Middle East. This book looks at Indonesia's global importance, and traces the entwining of its peoples and economies with the wider world. The book discusses how products unique to Indonesia first slipped into regional trade networks and exposed scattered communities to the dynamic influence of far-off civilizations. It focuses on economic and cultural changes that resulted in the emergence of political units organized as oligarchies or monarchies, and goes on to look in detail at Indonesia's relationship with Holland's East Indies Company. The book analyses the attempts by politicians to negotiate ways of being modern but uniquely Indonesian, and considers the oscillations in Indonesia between movements for theocracy and democracy. It is a useful contribution for students and scholars of World History and Southeast Asian Studies.

In the seventeenth century, the Dutch established a trading base at the Indonesian site of Jacarta. What began as a minor colonial outpost under the name Batavia would become, over the next three centuries, the flourishing economic and political nucleus of the Dutch Asian Empire. In this pioneering study, Jean Gelman Taylor offers a comprehensive analysis of Batavia’s extraordinary social world—its marriage patterns, religious and social organizations, economic interests, and sexual roles. With an emphasis on the urban ruling elite, she argues that Europeans and Asians alike were profoundly altered by their merging, resulting in a distinctive hybrid, Indo-Dutch culture. Original in its focus on gender and use of varied sources—travelers’ accounts, newspapers, legal codes, genealogical data, photograph albums, paintings, and ceramics— The Social World of Batavia , first published in 1983, forged new paths in the study of colonial society. In this second edition, Gelman offers a new preface as well as an additional chapter tracing the development of these themes by a new generation of scholars.

Everyday technologies of the nineteenth century—mass-produced items that were small, sturdy, and affordable—transformed the daily lives of working people in Asian colonies. There is already a large literature on colonial technology transfer and a specialist literature on the sewing-machine, which draws on Singer archives, production figures, sales techniques, and advertising to establish uptake by households from North America to the Philippines, India, China, and Egypt. Still, documentation of how and why imported objects such as the sewing-machine were appropriated is difficult to find because, unlike elites, ordinary people left few records of their own. Here a visual archive is investigated to complement existing studies. Photographs and early moving pictures from the former Dutch East Indies show that ordinary Indonesians sought and appropriated imported goods such as the sewing-machine. The colonial camera's visual record of sewing-machine operators displaces attention from the more impersonal trade and productivity statistics. It brings the silent user into the history of technological uptake and allows us to consider the repercussions across a wide social band and period. Indigenous tailors and seamstresses expanded their own work options. Through the Singer they fitted out and launched their compatriots into modern jobs and lifestyles in the Dutch colony. The sewing-machine changed habits, manners, and expectations; machine operators influenced senses of propriety, fashion, and status. Appropriation of mundane technology demonstrates that modernization was not only a process trickling down to the masses from Westernizing elites; it also bubbled up from below.

There were as many dimensions to the Ethical Policy as there were proponents. Indeed it was a complex of ideas, a set of related policies characterising a thought world. The term \"Ethical Policy\" is peculiarly associated with Pieter Brooshooft (1845-1921), whose booklet by that name was published in Amsterdam in 1901. 1 In it Brooshooft outlined a colonial policy whose guiding principles should be: separation of the colony's finances and governance from the Netherlands; primacy of indigenous interests in all policy formulation; Indies government management of the economy; increased numbers of Western-educated Javanese in the bureaucracy; and greater delegation of responsibility to indigenous officials.

A seventeenth-century painting, ‘Pieter Cnoll and His Family’ by J. J. Coeman, reveals a number of entry points from which Indonesian histories can be explored. Through a discussion of the painting and its subjects, a variety of issues ranging from VOC (United East India Company) policies and mestizo relationships to gender, labour and legal rights in VOC-controlled ports are discussed.