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Meditations on a Portrait from Seventeenth-Century Batavia
by
Taylor, Jean Gelman
in
17th century
/ Archipelagos
/ Artists
/ Asia
/ Asian art
/ Asian people
/ Asians
/ Business structures
/ Children
/ Coeman, J J
/ Colonialism
/ Early modern history
/ Europeans
/ Gender
/ History
/ Indonesia
/ Interethnic relations
/ Legal system
/ Meditation
/ Men
/ Merchants
/ Mothers
/ Multiracial people
/ Museums
/ Portraits
/ Portrayals
/ Ports
/ Slavery
/ Slaves
/ Textiles
/ Wives
/ Works
2006
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Meditations on a Portrait from Seventeenth-Century Batavia
by
Taylor, Jean Gelman
in
17th century
/ Archipelagos
/ Artists
/ Asia
/ Asian art
/ Asian people
/ Asians
/ Business structures
/ Children
/ Coeman, J J
/ Colonialism
/ Early modern history
/ Europeans
/ Gender
/ History
/ Indonesia
/ Interethnic relations
/ Legal system
/ Meditation
/ Men
/ Merchants
/ Mothers
/ Multiracial people
/ Museums
/ Portraits
/ Portrayals
/ Ports
/ Slavery
/ Slaves
/ Textiles
/ Wives
/ Works
2006
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Meditations on a Portrait from Seventeenth-Century Batavia
by
Taylor, Jean Gelman
in
17th century
/ Archipelagos
/ Artists
/ Asia
/ Asian art
/ Asian people
/ Asians
/ Business structures
/ Children
/ Coeman, J J
/ Colonialism
/ Early modern history
/ Europeans
/ Gender
/ History
/ Indonesia
/ Interethnic relations
/ Legal system
/ Meditation
/ Men
/ Merchants
/ Mothers
/ Multiracial people
/ Museums
/ Portraits
/ Portrayals
/ Ports
/ Slavery
/ Slaves
/ Textiles
/ Wives
/ Works
2006
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Meditations on a Portrait from Seventeenth-Century Batavia
Journal Article
Meditations on a Portrait from Seventeenth-Century Batavia
2006
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Overview
A seventeenth-century painting, ‘Pieter Cnoll and His Family’ by J. J. Coeman, reveals a number of entry points from which Indonesian histories can be explored. Through a discussion of the painting and its subjects, a variety of issues ranging from VOC (United East India Company) policies and mestizo relationships to gender, labour and legal rights in VOC-controlled ports are discussed.
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