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Creativity in transition
In an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition. Exploring creative practices in various settings, the book does not only call attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with 'innovation' in neo-liberal capitalist cultural politics, but also to the less visible practices of copying, recycling and reproduction that occur as part and parcel of creative improvization.
eBook
The creative process : perspectives from multiple domains
The creative process refers to the sequence of thoughts and actions that are involved in the production of new work that is both original and valuable in its context. This book examines this process across the domains of visual art, writing, engineering, design and music. It characterizes each domain's creative process based on evidence stemming from creators' accounts of their own activity and a wide-range of observational material and theories specific to each field. Results from empirical research are then presented across a set of closely linked chapters, using a common set of methodologies that seek to trace the creative process as it unfolds.
Book
Magic hours : essays on creators and creation
For more than a decade, award-winning writer (and co-author of The Disaster Artist) Tom Bissell has explored questions at the heart of the creative endeavor in astute, remarkable and often hilarious essays. What are sitcoms for, exactly? Can art be both bad and genius? Why do some books survive and others vanish? These pieces cover Bissell's best writing on writers, filmmakers, actors and artists. From Portland, where he visits a midnight screening of The Room, to the Los Angeles set of The Big Bang Theory, to an editorial meeting in New York from which Paula Fox's work was relaunched into the world, Bissell's journeys make for unforgettable reading. Above all, he illustrates that to create something anything, is to believe, if only momentarily, you are capapble of magic.
Book
Thought in the Act
\"Every practice is a mode of thought, already in the act. To dance: a thinking in movement. To paint: a thinking through color. To perceive in the everyday: a thinking of the world's varied ways of affording itself.\" -fromThought in the ActCombining philosophy and aesthetics,Thought in the Actis a unique exploration of creative practice as a form of thinking. Challenging the common opposition between the conceptual and the aesthetic, Erin Manning and Brian Massumi \"think through\" a wide range of creative practices in the process of their making, revealing how thinking and artfulness are intimately, creatively, and inseparably intertwined. They rediscover this intertwining at the heart of everyday perception and investigate its potential for new forms of activism at the crossroads of politics and art.
Emerging from active collaborations, the book analyzes the experiential work of the architects and conceptual artists Arakawa and Gins, the improvisational choreographic techniques of William Forsythe, the recent painting practice of Bracha Ettinger, as well as autistic writers' self-descriptions of their perceptual world and the experimental event making of the SenseLab collective. Drawing from the idiosyncratic vocabularies of each creative practice, and building on the vocabulary of process philosophy, the book reactivates rather than merely describes the artistic processes it examines. The result is a thinking-with and a writing-in-collaboration-with these processes and a demonstration of how philosophy co-composes with the act in the making.Thought in the Actenacts a collaborative mode of thinking in the act at the intersection of art, philosophy, and politics.
eBook
Creativity : theories and themes : research, development, and practice
An integrative introduction to the theories and themes in research on creativity, this book is both a reference work and text for courses in this burgeoning area of research. The book begins with a discussion of the theories of creativity (Person, Product, Process, Place), the general question of whether creativity is influenced by nature or nurture, what research has indicated of the personality and style of creative individuals from a personality analysis standpoint, how social context affects creativity, and then coverage of issues like gender differences, whether creativity can be enhanced, if creativity is related to poor mental or physical health, etc. The book contains boxes covering special interest items including one page biographies of famous creative individuals and activities for a group or individual to test and/or encourage creativity, as well as references to internet sites relating to creativity.
eBook
Japanese creativity : contemplations on Japanese architecture
What lies at the root of Japanese creativity and its architectural artifacts? In his book, the Japanese architect Yuichiro Edagawa explores this question in detail. By analyzing a wide variety of unique exemplary buildings from the sixth century to the present, he determines twelve distinctive characteristics of Japanese architectural creativity and composition, including: intimacy with nature, importance of materials, bipolarity and diversity, asymmetry, devotion to small space, and organic form. The key understanding, which pervades all these characteristics, is that parts precede the whole. The Japanese process of creation begins with designing parts and details and ends with combining them to one edifice, instead of starting with a whole structure and working out the components afterwards. Edagawa provides a personal and comprehensive understanding of Japanese creativity and the architectural process. The book gives us an inspiring insight into Japanese culture and identity, which in its essence is deeply traditional and modern at the same time.
Book
The Machine as Author
The use of Artificial Intelligence (\"AI\") machines using deep learning neural networks to create material that facially looks like it should be protected by copyright is growing exponentially. From articles in national news media to music, film, poetry and painting AI machines create material that has economic value and that competes with productions of human authors. The Article reviews both normative and doctrinal arguments for and against the protection by copyright of literary and artistic productions made by AI machines. The Article finds that the arguments in favor of protection are flawed and unconvincing and that a proper analysis of the history, purpose, and major doctrines of copyright law all lead to the conclusion that productions that do not result from human creative choices belong to the public domain. The Article proposes a test to determine which productions should be protected, including in case of collaboration between human and machine. Finally, the Article applies the proposed test to three specific fact patterns to illustrate its application.
Journal Article