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"CONSOMMATION"
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Consumer culture theory
\"Outlining the key themes, concepts and theoretical areas in the field, this book draws on contributions from prominent researchers to unravel the complexities of consumer culture by looking at how it affects personal identity, social interactions and the consuming human being.\" -- Publisher's website.
Falling behind
2013,2007,2019
With a timely new foreword by Robert Frank, this groundbreaking book explores the very meaning of happiness and prosperity in America today. Although middle-income families don't earn much more than they did several decades ago, they are buying bigger cars, houses, and appliances. To pay for them, they spend more than they earn and carry record levels of debt. Robert Frank explains how increased concentrations of income and wealth at the top of the economic pyramid have set off \"expenditure cascades\" that raise the cost of achieving many basic goals for the middle class. Writing in lively prose for a general audience, Frank employs up-to-date economic data and examples drawn from everyday life to shed light on reigning models of consumer behavior. He also suggests reforms that could mitigate the costs of inequality. Falling Behind compels us to rethink how and why we live our economic lives the way we do.
Ratatin
by
Schoenborn, Mélina, author
,
Arriagada-Nunez, Felipe, illustrator
in
Baths Juvenile fiction.
,
Water consumption Juvenile fiction.
,
Bains Romans, nouvelles, etc. pour la jeunesse.
2022
\"Ratatin ADORE prendre son bain. Il prend son bain le matin, le midi, le soir et même la nuit. Dès que sa peau perd ses plis, il replonge dans la baignoire pour ratatiner à nouveau. Un beau jour, surprise ! Le lac est complètement sec. Il n'y a plus une seule goutte d'eau ! En secret, les villageois se rassemblent et discutent... Que faire pour que Ratatin cesse d'assécher le lac ? Et puis, ils ont une idée... Un album amusant qui parle en filigrane de protection de l'environnement.\"--leslibraires.ca.
Materializing difference : consumer culture, politics, and ethnicity among Romanian Roma
2019
How do objects mediate human relationships, and possess their own social and political agency? What role does material culture – such as prestige consumption as well as commodity aesthetics, biographies, and ownership histories – play in the production of social and political identities, differences, and hierarchies? How do (informal) consumer subcultures of collectors organize and manage themselves? Drawing on theories from anthropology and sociology, specifically material culture, consumption, museum, ethnicity, and post-socialist studies, Materializing Difference addresses these questions via analysis of the practices and ideologies connected to Gabor Roma beakers and roofed tankards made of antique silver. The consumer subculture organized around these objects – defined as ethnicized and gendered prestige goods by the Gabor Roma living in Romania – is a contemporary, second-hand culture based on patina-oriented consumption.
Materializing Difference reveals the inner dynamics of the complex relationships and interactions between objects (silver beakers and roofed tankards) and subjects (Romanian Roma) and investigates how these relationships and interactions contribute to the construction, materialization, and reformulation of social, economic, and political identities, boundaries, and differences. It also discusses how, after 1989, the political transformation in Romania led to the emergence of a new, post-socialist consumer sensitivity among the Gabor Roma, and how this sensitivity reshaped the pre-regime-change patterns, meanings, and value preferences of prestige consumption.
Cool food : erasing your carbon footprint one bite at a time
\"What we eat matters--to us, and to the planet. Cool food is a game-changing new food category and way of thinking that can help fix the climate. This ... book will show you how to make simple choices, starting today--in the supermarket, in your kitchen, and in the world--to reduce your environmental impact. Hundreds of cool foods exist, but until now have gone largely uncelebrated for their climate-positive powers. Some of these foods may already be on your shelf, and some are just on the horizon. But cool food is much more than just a shopping list: it's a way of life vitally important to our future. Packed with eye-opening information, actionable items, and two dozen ... recipes, Cool Food comes alive with ... storytelling and refreshing humor\"-- Provided by publisher.
Cultural Citizenship
2008,2007,2006
What does it mean to be a \"citizen\" today, in an age of unbridled consumerism, terrorism, militarism, and multinationalism? In this passionate and dazzling book, Toby Miller dares to answer this question with the depth of thought it deserves. Fast-moving and far-ranging,Cultural Citizenshipblends fact, theory, observation, and speculation in a way that continually startles and engages the reader. Although he is unabashedly liberal in his politics, Miller is anything but narrow minded. He looks at media coverage of September 11th and the Iraq invasion as well as \"infotainment\"-such as Food and Weather channels-to see how U.S. TV is serving its citizens as part of \"the global commodity chain.\" Repeatedly revealing the crushing grip of the invisible hand of television, Miller shows us what we have given up in our drive to acquire and to \"belong.\" For far too long, \"cultural citizenship\" has been a concept invoked without content. With the publication of this book, it has at last been given flesh and substance.
The story of upfront carbon : how a life of just enough offers a way out of the climate crisis
by
Alter, Lloyd, author
in
Carbon Environmental aspects.
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Climate change mitigation.
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Consumer goods Environmental aspects.
2024
\"We must cut carbon emissions to halt climate change. But they aren't just produced by driving a car or heating a home. Upfront carbon--all emissions involved in manufacturing an item--can dwarf operating emissions, which is why when you look at the world through the lens of upfront carbon, everything changes.\"-- Provided by publisher.
Debtor nation
2011
Before the twentieth century, personal debt resided on the fringes of the American economy, the province of small-time criminals and struggling merchants. By the end of the century, however, the most profitable corporations and banks in the country lent money to millions of American debtors. How did this happen? The first book to follow the history of personal debt in modern America,Debtor Nationtraces the evolution of debt over the course of the twentieth century, following its transformation from fringe to mainstream--thanks to federal policy, financial innovation, and retail competition.
How did banks begin making personal loans to consumers during the Great Depression? Why did the government invent mortgage-backed securities? Why was all consumer credit, not just mortgages, tax deductible until 1986? Who invented the credit card? Examining the intersection of government and business in everyday life, Louis Hyman takes the reader behind the scenes of the institutions that made modern lending possible: the halls of Congress, the boardrooms of multinationals, and the back rooms of loan sharks. America's newfound indebtedness resulted not from a culture in decline, but from changes in the larger structure of American capitalism that were created, in part, by the choices of the powerful--choices that made lending money to facilitate consumption more profitable than lending to invest in expanded production.
From the origins of car financing to the creation of subprime lending,Debtor Nationpresents a nuanced history of consumer credit practices in the United States and shows how little loans became big business.
Marketing modernity : Italian advertising from fascism to postmodernity
\"Marketing modernity traces the development of consumer culture in Italy from the 1920s to the present day. In so doing, Adam Arvidsson argues that the culture of consumption we see in Italy today has its direct roots in the social vision articulated by the advertising industry in the years following the First World War. He then goes on to discuss how that vision was further elaborated by advertising's interaction with subsequent major actors in twentieth-century Italy: Fascism, post-war mass political parties and the counter-culture of the 1960s and 1970s.\"--Jacket.