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result(s) for
"ENGLISH DRAMATISTS"
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Fifty playwrights on their craft
\"In a series of interviews with fifty playwrights of the US and UK, this book offers a fascinating study of the voices, thoughts, and opinions of today's most important dramatists. Filled with probing questions, Fifty Playwrights on their Craft explores ideas such as how does playwriting help a global dialogue; where do dramatists find the ideas that become the stories and narratives within their plays; how can the stage inform the writer's creative process; how does crossing boundaries between art forms push the living art form of theatre-making forward; and will there be playwrights in another 50 years? Through these interrogating interviews we come to understand how and why playwrights write what they do and gain insight into their processes and motivations. Together, the interviews provide an inter-generational dialogue between dramatists whose work spans over six decades. Featuring interviews with playwrights such as Edward Bond, Katori Hall, Chris Goode, David Greig, Willy Russell, David Henry Hwang, Alecky Blythe, Anne Washburn and Simon Stephens, Jester and Svich offer an unprecedented view into the multiple perspectives and approaches of key playwrights on both sides of the Atlantic.\"--Publisher's description.
The life of William Shakespeare : a critical biography
2012
The Life of William Shakespeare is a fascinating and wide-ranging exploration of Shakespeare's life and works focusing on oftern neglected literary and historical contexts: what Shakespeare read, who he worked with as an author and an actor, and how these various collaborations may have affected his writing.
Beyond realism : experimental and unconventional Irish drama since the revival
\"When W.B. Yeats and Lady Gregory set out in 1897 to create an Irish theatre, they expressed their openness to dramatic experimentation. However, the Abbey Theatre that was their legacy increasingly came to resist non-traditional dramaturgy. Ranging over a period of more than a century, the essays in Beyond Realism focus on theatre that has challenged what came to be perceived as the dominance of realism in Irish drama. The contributors demonstrate that, in the first half of the twentieth century, playwrights such as George Fitzmaurice, Sean O'Casey, and Jack B. Yeats produced unconventional theatre that challenged the norm of realism; they show that Irish dramatists since the 1980s, including Thomas Kilroy, Vincent Woods, and Patricia Burke Brogan further broadened the range of theatrical methods. The concluding essays on contemporary works that use multiple techniques, technology, and site-specific locations suggest that non-realistic, highly theatrical approaches are no longer the exception in Irish drama\"--Back cover.
The Theatre and Films of Jez Butterworth
Jez Butterworth is the most critically acclaimed and commercially successful new British dramatist of the 21st century: his acclaimed play Jerusalem has had extended runs in the West End and on Broadway. This book is the first to examine Butterworth's writings for stage and film and to identify how and why his work appeals so widely and profoundly. It examines the way that he weaves suspenseful stories of eccentric outsiders, whose adventures echo widespread contemporary social anxieties, and involve surprising expressions of both violence and generosity. This book reveals how Butterworth unearths the strange forms of wildness and defiance lurking in the depths and at the edges of England: where unpredictable outbursts of humour highlight the intensity of life, and characters discover links between their haunting past and the uncertainties of the present, to create a meaningful future. Supplemented by essays from James D. Balestrieri and Elisabeth Angel-Perez, this is a clear and detailed source of reference for a new generation of theatre audiences, practitioners and directors who wish to explore the work of this seminal dramatist.
The Faustian Motif in the Tragedies by Christopher Marlowe
2013,2014
The Faustian Motif in the Tragedies by Christopher Marlowe discusses the argument that the pact with demonic forces, and/or its consequences, is a motif explored not only in Doctor Faustus, but in Marlowe's other plays as well (Tamburlaine the Great, Dido, Queen of Carthage, The Jew of Malta). The book sets out to explore the way Marlowe explained this process, from play to play, in psychological and cultural terms, and to demonstrate its relevance for modern man and his culture.The text is divided into the Introduction and four main parts, each focusing on a particular aforementioned play by Marlowe. The book does not follow the actual chronological order in which these plays are supposed to have been written, not because it is uncertain, but for the obvious reason suggested by the nature of the theme: the text begins with Dr. Faustus because it is the only way to introduce and discuss the possible symbolic meanings of the act of selling one's soul to the Devil. It ends with The Jew of Malta because in the world of Marlowe's Malta - closest perhaps to our own in its mindless pursuit of profit - the major protagonists no longer have any soul to lose or to renounce.The method used in the book is wide-ranging and eclectic: besides relying on some permanently valid ideas of Humanist criticism, the book also offers insights into the views of the New Critics, particularly their requirement of the close reading of the literary works chosen for examination. Their approach is combined here with that of the New Historicists, who provided a corrective to the New Critic's formalism by insisting on the importance of taking into consideration the historical and cultural context the work belongs to.The book will appeal to both scholars and students interested in the field of the English Renaissance literature, and also to a wider reading audience keen on
observing, detecting and understanding the cultural processes equally relevant for the history of the English Renaissance period and present-day Western society.
William Shakespeare
by
Johnson, Robin, (Robin R.), author
in
Shakespeare, William, 1564-1616 Juvenile literature.
,
Shakespeare, William, 1564-1616.
,
Dramatists, English Early modern, 1500-1700 Biography Juvenile literature.
2016
This title explores the life, work, and legacy of the Bard of Avon.
At the Margin of Empire
2015
In telling the story of John Webster's long and colorful life for the first time, this biography also explores the wider transformation of relationships between Maori and Pakeha during the 19th century. In this remarkable biography, Jennifer Ashton uses the life of one man as a unique lens through which to view the early history of New Zealand.
Who was William Shakespeare?
by
Mannis, Celeste Davidson
,
O'Brien, John, 1953- ill
in
Shakespeare, William, 1564-1616 Juvenile literature.
,
Shakespeare, William, 1564-1616.
,
Dramatists, English Early modern, 1500-1700 Biography Juvenile literature.
2006
\"Find out more about the real William Shakespeare in this fun and exciting illustrated biography!\"--Provided by publisher.
Present Indicative
2012,2008,2014
\"I was photographed naked on a cushion very early in life, an insane, toothless smile slitting my face and pleats of fat overlapping me like an ill-fitting overcoat.Later, at the age of two, I was photographed again.This time in a lace dress, leaning against a garden roller and laughing hysterically.