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218
result(s) for
"FICTION Media Tie-In."
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Naruto
\"A new series of prose novels, straight from the worldwide Naruto franchise. Naruto's allies and enemies take center stage in these fast-paced adventures, with each volume focusing on a particular clan mate, ally, team\"-- Provided by publisher.
Manga and the Representation of Japanese History
2013,2012
This edited collection explores how graphic art and in particular Japanese manga represent Japanese history.
The articles explore the representation of history in manga from disciplines that include such diverse fields as literary studies, politics, history, cultural studies, linguistics, narratology, and semiotics. Despite this diversity of approaches all academics from these respective fields of study agree that manga pose a peculiarly contemporary appeal that transcends the limitation imposed by traditional approaches to the study and teaching of history. The representation of history via manga in Japan has a long and controversial historiographical dimension. Thereby manga and by extension graphic art in Japanese culture has become one of the world's most powerful modes of expressing contemporary historical verisimilitude. The contributors to this volume elaborate how manga and by extension graphic art rewrites, reinvents and re-imagines the historicity and dialectic of bygone epochs in postwar and contemporary Japan.
Manga and the Representation of Japanese History will be of interest to students and scholars of Asian studies, Asian history, Japanese culture and society, as well as art and visual culture
NieR: Automata : short story long
\"Short fiction in the setting of the Nier:Automata science fiction videogame series, featuring humanlike androids fighting alien machines\"-- Provided by publisher.
Anime and Its Roots in Early Japanese Monster Art
by
Papp, Z
in
Animated films
,
Animated films -- Japan -- History and criticism
,
Animation (Cinematography)-Japan
2010
Japanese anime plays a major role in modern popular visual culture and aesthetics, yet this is the first study which sets out to put today's anime in historical context by tracking the visual links between Edo- and Meiji- period painters and the post-war period animation and manga series 'Gegegeno Kitaro' by Mizuki Shigeru.
Veronica Mars. The thousand-dollar tan line
\"The first book in an original mystery series featuring twenty-eight-year-old Veronica Mars, back in action after the events of Veronica Mars: The Movie. With the help of old friends--Logan Echolls, Mac Mackenzie, Wallace Fennel, and even Dick Casablancas--Veronica is ready to take on Neptune's darkest cases with her trademark sass and smarts. Final title and cover to be announced\"-- Provided by publisher.
God of Comics
2009
Cartoonist Osamu Tezuka (1928-1989) is the single most important figure in Japanese post-World War II comics. During his four-decade career, Tezuka published more than 150,000 pages of comics, produced animation films, wrote essays and short fiction, and earned a Ph.D. in medicine. Along with creating the character Astro Boy (Mighty Atom in Japan), he is best known for establishing story comics as the mainstream genre in the Japanese comic book industry, creating narratives with cinematic flow and complex characters. This style influenced all subsequent Japanese output.God of Comicschronicles Tezuka's life and works, placing his creations both in the cultural climate and in the history of Japanese comics.
The book emphasizes Tezuka's use of intertextuality. His works are filled with quotations from other texts and cultural products, such as film, theater, opera, and literature. Often, these quoted texts and images bring with them a world of meanings, enriching the narrative. Tezuka also used stock characters and recurrent visual jokes as a way of creating a coherent world that encompasses all of his works.
God of Comicsincludes close analysis of Tezuka's lesser-known works, many of which have never been translated into English. It offers one of the first in-depth studies of Tezuka's oeuvre to be published in English.
JoJo and BowBow take the stage
by
Siwa, JoJo, 2003- author
in
JUVENILE FICTION - Media Tie-In.
,
JUVENILE FICTION - Readers - Chapter Books.
,
JUVENILE FICTION - General.
2018
\"JoJo Siwa and her trusty sidekick, a teacup Yorkie named BowBow, are used to being center stage. So when her neighborhood throws a block party, it's a no-brainer: before hitting up the nacho stand and bouncy castle, JoJo and the Siwanatorz will perform on stage for everyone they know! It'll be the best show yet! But as unexpected challenges pop up--the neighborhood bullies slime their costumes, the microphones stop working, and her best friend gets cold feet--JoJo shows the Siwanatorz what stars are really made of: kindness, courage, and a whole lot of fun\"-- Provided by publisher.
Traditional Monster Imagery in Manga, Anime and Japanese Cinema
2011,2010
Traditional Monster Imagery in Manga, Anime and Japanese Cinema builds on the earlier volume Anime and its Roots in Early Japanese Monster Art, that aimed to position contemporary Japanese animation within a wider art historical context by tracing the development of monster representations in Edo- and Meiji-period art works and post-war visual media. While the previous volume concentrated on modern media representations, this work focuses on how Western art historical concepts and methodology might be adapted when considering non-Western works, introducing traditional monster art in more detail, while also maintaining its links to post-war animation, sequential art and Japanese cinema. The book aims at a general readership interested in Japanese art and media as well as graduate students who might be searching for a research model within the fields of Animation Studies, Media Studies or Visual Communication Design.
Her beautiful monster
\"Enjoy another \"exhilarating roller-coaster ride of unusual cases\" (Publishers Weekly) in this second book of the Ravi PI series, featuring detective Ravi Chandra Singh and his team at the gleefully amoral, unfailingly dangerous secret agency Golden Sentinels. When Ravi's colleagues at Golden Sentinels discover that he sees gods in moments of heightened anxiety and stress, they are surprisingly fine with it. They even encourage him to incorporate his visions into his work, especially now that the cases have become more intense, with many hidden risks at play. But their latest case--a search for a dead Russian oligarch's last will and testament--leads to more than anyone expected: a missing heir, murderous relatives, and geopolitical implications. So, when Ravi's boss sends him to Los Angeles to wait out the heat, it's almost a relief.
Craving Supernatural Creatures
by
Claudia Schwabe
in
Fairy Tales, Folk Tales, Legends & Mythology
,
FICTION
,
Folklore in popular culture
2019
Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture analyzes supernatural creatures in order to demonstrate how German fairy tales treat difference, alterity, and Otherness with terror, distance, and negativity, whereas contemporary North American popular culture adaptations navigate diversity by humanizing and redeeming such figures. This trend of transformation reflects a greater tolerance of other marginalized groups (in regard to race, ethnicity, ability, age, gender, sexual orientation, social class, religion, etc.) and acceptance of diversity in society today. The fairy-tale adaptations examined here are more than just twists on old stories-they serve as the looking glasses of significant cultural trends, customs, and social challenges. Whereas the fairy-tale adaptations that Claudia Schwabe analyzes suggest that Otherness can and should be fully embraced, they also highlight the gap that still exists between the representation and the reality of embracing diversity wholeheartedly in twenty-first-century America. The book's four chapters are structured around different supernatural creatures, beginning in chapter 1 with Schwabe's examination of the automaton, the golem, and the doppelganger, which emerged as popular figures in Germany in the early nineteenth century, and how media, such as Edward Scissorhands and Sleepy Hollow, dramatize, humanize, and infantilize these uncanny characters in multifaceted ways. Chapter 2 foregrounds the popular figures of the evil queen and witch in contemporary retellings of the Grimms' fairy tale Snow White. Chapter 3 deconstructs the concept of the monstrous Other in fairy tales by scrutinizing the figure of the Big Bad Wolf in popular culture, including Once Upon a Time and the Fables comic book series. In chapter 4, Schwabe explores the fairy-tale dwarf, claiming that adaptations today emphasize the diversity of dwarves' personalities and celebrate the potency of their physicality. Craving Supernatural Creatures is a unique contribution to the field of fairy-tale studies and is essential reading for students, scholars, and pop-culture aficionados alike.