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17 result(s) for "Proctor, Lady"
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APPENDIX TO CHRONICLE: DEATHS
APRIL 1846 (pg. 212). APRIL 1848 (pg. 212). JULY 1848 (pg. 212). OCTOBER 1848 (pg. 212). NOVEMBER 1848 (pg. 212). DECEMBER 1848 (pg. 212-213). JANUARY (pg. 213-219). FEBRUARY (pg. 219-223). MARCH (pg. 223-230). APRIL (pg. 230-234). MAY (pg. 234-245). JUNE (pg. 245-250). JULY (pg. 251-257). AUGUST (pg. 257-265). SEPTEMBER (pg. 266-271). OCTOBER (pg. 272-281). NOVEMBER (pg. 281-289). DECEMBER (pg. 289-301).
WOMAN KILLED IN CAR CRASH TWO OTHERS ESCAPE SERIOUS INJURIES
Capt. Brad Burgess of the Abingdon Rescue Squad said [Randolph S. Proctor] and [Kristi Kay Hudgins] were conscious and able to crawl out of the car, although the roof was flattened. \"I don't know how they did it,\" he said. There was barely enough room for Burgess to get his head and shoulders inside to locate [Shannon Marie Haywood]. Hudgins is Haywood's cousin, [Tammy Van Dame] said. Both young women graduated last year from Gloucester High School. Haywood worked for Dunham Young Travel in Gloucester. Van Dame said Proctor is a vice president of Lamberth Building Materials of Gloucester Inc. The president of the company did not return calls from a reporter Wednesday seeking confirmation of Proctor's position with Lamberth.
Auditory Immersion Unites Diverse Films
To simulate the powerful Saturn V rocket of the Apollo missions, microphones 200 to 400 yards away recorded the launch and re-entry of SpaceX's Falcon Heavy \"We wanted space travel to have a chilling feeling as though the astronauts are leaving the world of the living and headed into a place where humans are not supposed to go,\" says supervising sound editor and re-recording mixer Ai-Ling Lee. The same for the quick-witted period piece \"The Favourite,\" \"Mary Queen of Scots\" and Alfonso Cuarón's \"Roma,\" a black-and-white film set in 1970s Mexico, where supervising sound editor Sergio Diaz spent 18 months recording period cars, planes and neighborhoods south of the border. Building the energy of \"Bohemian Rhapsody,\" re-recording mixer Paul Massey had access to all the original 24-track material of Queen, including the Live Aid concert and the band on tour \"We tried to evolve the sound in the film as the band did,\" Massey says.