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578,324 result(s) for "Science in the Arts"
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How to shape a productive scientist–artist collaboration
Researchers and artists reflect on the partnerships that have created career opportunities and forged a deeper public understanding of science. Researchers and artists reflect on the partnerships that have created career opportunities and forged a deeper public understanding of science.
The Diffusion of Military Power
The Diffusion of Military Power examines how the financial and organizational challenges of adopting new methods of fighting wars can influence the international balance of power. Michael Horowitz argues that a state or actor wishing to adopt a military innovation must possess both the financial resources to buy or build the technology and the internal organizational capacity to accommodate any necessary changes in recruiting, training, or operations. How countries react to new innovations--and to other actors that do or don't adopt them--has profound implications for the global order and the likelihood of war.
Ten simple rules for drawing scientific comics
Institutions around the world are fighting to improve science communication all the time. From calls for journal papers to be simplified to encouraging scientists to take more of an active role through community engagement, there is an impetus to demystify and improve public understanding and engagement with science. Technology has greatly helped expand the range of learning styles that a lecturer can call on to reach people in new ways. Social media outlets like Twitter, Facebook, Instagram, and Tumblr have expanded the reach of science communication within and across scientific disciplines and to the lay public. Here, with all the videos, interactive quizzes, and instant feedback it can be easy to overlook one of the simplest methods for communicating complex ideas: comics.
Drawn to science
Teachers do not need training in the arts to create useful drawing experiences for science students, says Bethann Garramon Merkle. Teachers do not need training in the arts to create useful drawing experiences for science students, says Bethann Garramon Merkle.
Doing women's film history : reframing cinemas, past and future
\"Distinguished scholars Christina Gledhill and Julia Knight's anthology shows women's work in and around cinema across time in different parts of the world, from pioneering days, through recent developments, pointing towards future modes of production and history writing. At the same time, given the very different historical, socioeconomic, political, and cultural conditions of the cinemas in view, these essays concentrate on key historiographic questions. They include how to identify women's participation in their cinema cultures, where to locate previously unconsidered sources of evidence, how to develop new research methodologies and analytical concepts capable of revealing the impact of gender on film production and reception, and how to reframe film history to accommodate such questions and approaches. If what unifies the range of essays consists of their central focus on women and gender, thereby decentralizing American cinema in film history, it is not the intention to fragment cinemas into discrete national boxes. Instead, analysis of different geopolitical and historical circumstances of women's involvement in different cinemas enable us to better understand the complexity and diversity of that involvement and therefore of cinema itself\"-- Provided by publisher.
Species Loss
Human-induced global change has triggered the sixth major extinction event on earth with profound consequences for humans and other species. A scientifically literate public is necessary to find and implement approaches to prevent or slow species loss. Creating science-inspired art can increase public understanding of the current anthropogenic biodiversity crisis and help people connect emotionally to difficult concepts. In spite of the pressure to avoid advocacy and emotion, there is a rich history of scientists who make art, as well as art–science collaborations resulting in provocative work that engages public interest; however, such interdisciplinary partnerships can often be challenging to initiate and navigate. Here we explore the goals, impacts, cascading impacts, and lessons learned from art–science collaborations, as well as ideas for collaborative projects. Using three case studies based on Harrower’s scientific research into species interactions, we illustrate the importance of artists as a primary audience and the potential for a combination of art and science presentations to influence public understanding and concern related to species loss.