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Under Jean-Claude Casadesus' conduction, the Lille National Orchestra (ONL) will perform Le Sacre du Printemps, Stravinsky (36') in the 'Nouveau Siècle' concert hall in Lille, reopening with an improved acoustics.

This practical guide is intended for all violinists and viola players who wish to give - or to understand and appreciate - historically aware performances of early music for their instruments. It comprises discussion of the literature, history and repertory of the violin and viola, the myriad relevant primary sources and their interpretation, and the various aspects of style and technique that combine to make up well-grounded, period performances. It also considers various related family instruments, contains practical advice on the acquisition of appropriate instruments, and offers suggestions for further reading and investigation. Many of the principles outlined are put into practice in case studies of six works composed c.1700–c.1900, the core period which forms this series' principal (though not exclusive) focus. Music by Corelli, Bach, Haydn, Beethoven, Mendelssohn and Brahms is examined with a view to recreating performances as faithful as possible to the composer's original intention.

Cremona violins occupy a unique and storied place in violin history. This book contains a brief account of that history — the rise and fall of the Cremonese art of violin making that dominated over two centuries. It is primarily devoted, however, to the physics behind violin acoustics, specifically the research of William F “Jack” Fry over the past several decades. The gradual evolution of his ideas leading to a holistic approach is chronicled, in sharp contrast to the conventional “reductionist” analysis. With rare insights, he has come closer than anyone before in reproducing the tonal qualities of the great Italian masters. This historic achievement makes the book extremely valuable for violin makers and violin researchers, enabling young and aspiring violinists to own excellent sounding instruments with the acoustical marvels of the old at affordable prices.

The music of the quintessentially Czech composer Dvořák is, above all, enjoyable and is a perennial favourite in the Romantic repertoire. This series of concerts is performed by the Prague Symphony Orchestra and Chorus and the Prague Philharmonic Choir, with three leading Czech conductors on the podium: Petr Altrichter, Jiří Bělohlávek and Libor Pesek. Guest soloists include soprano Lucia Popp, alto Eva Randova, tenor Josef Protschka, bass Peter Mikulas, pianist Igor Ardasev, violinist Ivan Zenaty and cellist Mischa Maisky, who plays Dvořák's Cello Concerto, one of his finest works.