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"World War, 1939-1945 Japan Art and the war."
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China's Muslims and Japan's Empire
In this transnational history of World War II, Kelly A. Hammond places Sino-Muslims at the center of imperial Japan's challenges to Chinese nation-building efforts. Revealing the little-known story of Japan's interest in Islam during its occupation of North China, Hammond shows how imperial Japanese aimed to defeat the Chinese Nationalists in winning the hearts and minds of Sino-Muslims, a vital minority population. Offering programs that presented themselves as protectors of Islam, the Japanese aimed to provide Muslims with a viable alternative-and, at the same time, to create new Muslim consumer markets that would, the Japanese hoped, act to subvert the existing global capitalist world order and destabilize the Soviets. This history can be told only by reinstating agency to Muslims in China who became active participants in the brokering and political jockeying between the Chinese Nationalists and the Japanese Empire. Hammond argues that the competition for their loyalty was central to the creation of the ethnoreligious identity of Muslims living on the Chinese mainland. Their wartime experience ultimately helped shape the formation of Sino-Muslims' religious identities within global Islamic networks, as well as their incorporation into the Chinese state, where the conditions of that incorporation remain unstable and contested to this day.
eBook
Glorify the Empire
In the 1930s and '40s, Japanese rulers in Manchukuo enlisted writers and artists to promote imperial Japan's modernization program. Ironically, the cultural producers chosen to spread the imperialist message were previously left-wing politically. In Glorify the Empire, Annika A. Culver explores how these once anti-imperialist intellectuals produced avant-garde works celebrating the modernity of a fascist state and reflecting a complicated picture of complicity with, and ambivalence toward, Japan's utopian project. A groundbreaking work, this book magnifies the intersection between politics and art in a rarely examined period of Japanese history.
eBook
An artist of the floating world
\"Masuji Ono saw misery in his homeland and became unwilling to spend his skills solely in the celebration of physical beauty. Instead, he envisioned a strong and powerful nation of the future, and he put his painting to work in the service of the movement that led Japan into World War II. Now, as the mature Masuji Ono struggles through the spiritual wreckage of that war, his memories of the 'floating world' of his youth, full of pleasure and promise, serve as an escape from, a punishment for--and a justification of--his entire life\"-- Provided by publisher.
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Fighting for the Enemy: Koreans in Japan's War, 1937-1945
Fighting for the Enemy explores the participation of Koreans in the Japanese military and supporting industries before and during World War II, first through voluntary enlistment and eventually through conscription. Contrary to popular belief among Korean nationalists, this involvement was not entirely coerced. Brandon Palmer examines this ambiguous situation in the context of Japan's long-term colonial effort to assimilate Koreans into Japanese sociopolitical life and documents the many ways Koreans-short of openly resisting-avoided full cooperation with Japanese war efforts. Much media attention has been given to Japan's exploitation of \"comfort women\" in Korea and elsewhere in East Asia during the colonial period, but, until now, there has been no extended, objective analysis of the exploitation of the thousands of young Korean men who served in Japan's military and auxiliary occupations.
eBook
Glorify the empire : Japanese avant-garde propaganda in Manchukuo
\"In the 1930s and '40s, Japanese political architects of the Manchukuo project in occupied northeast China realized the importance of using various cultural media to promote a modernization program in the region, as well as its expansion into other parts of Asia. Ironically, the writers and artists chosen to spread this imperialist message had left-wing political roots in Japan, where their work strongly favoured modernist, even avant-garde, styles of expression. In Glorify the Empire, Annika Culver explores how these once anti-imperialist intellectuals produced modernist works celebrating the modernity of a fascist state and reflecting a complicated picture of complicity with, and ambivalence towards, Japan's utopian project. During the war, literary and artistic representations of Manchuria accelerated, and the Japanese-led culture in Manchukuo served as a template for occupied areas in Southeast Asia. A groundbreaking work, Glorify the Empire magnifies the intersection between politics and art in a rarely examined period in Japanese history.\"--Publisher's website.
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Five Days in August
Most Americans believe that the Second World War ended because the two atomic bombs dropped on Japan forced it to surrender.Five Days in Augustboldly presents a different interpretation: that the military did not clearly understand the atomic bomb's revolutionary strategic potential, that the Allies were almost as stunned by the surrender as the Japanese were by the attack, and that not only had experts planned and fully anticipated the need for a third bomb, they were skeptical about whether the atomic bomb would work at all. With these ideas, Michael Gordin reorients the historical and contemporary conversation about the A-bomb and World War II.
Gordin posits that although the bomb clearly brought with it a new level of destructive power, strategically it was regarded by decision-makers simply as a new conventional weapon, a bigger firebomb. To lend greater understanding to the thinking behind its deployment, Gordin takes the reader to the island of Tinian, near Guam, the home base for the bombing campaign, and the location from which the anticipated third atomic bomb was to be delivered. He also details how Americans generated a new story about the origins of the bomb after surrender: that the United States knew in advance that the bomb would end the war and that its destructive power was so awesome no one could resist it.
Five Days in Augustexplores these and countless other legacies of the atomic bomb in a glaring new light. Daring and iconoclastic, it will result in far-reaching discussions about the significance of the A-bomb, about World War II, and about the moral issues they have spawned.
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The barbed-wire college
FromStalag 17toThe Manchurian Candidate, the American media have long been fascinated with stories of American prisoners of war. But few Americans are aware that enemy prisoners of war were incarcerated on our own soil during World War II. InThe Barbed-Wire CollegeRon Robin tells the extraordinary story of the 380,000 German prisoners who filled camps from Rhode Island to Wisconsin, Missouri to New Jersey. Using personal narratives, camp newspapers, and military records, Robin re-creates in arresting detail the attempts of prison officials to mold the daily lives and minds of their prisoners.
From 1943 onward, and in spite of the Geneva Convention, prisoners were subjected to an ambitious reeducation program designed to turn them into American-style democrats. Under the direction of the Pentagon, liberal arts professors entered over 500 camps nationwide. Deaf to the advice of their professional rivals, the behavioral scientists, these instructors pushed through a program of arts and humanities that stressed only the positive aspects of American society. Aided by German POW collaborators, American educators censored popular books and films in order to promote democratic humanism and downplay class and race issues, materialism, and wartime heroics. Red-baiting Pentagon officials added their contribution to the program, as well; by the war's end, the curriculum was more concerned with combating the appeals of communism than with eradicating the evils of National Socialism.
The reeducation officials neglected to account for one factor: an entrenched German military subculture in the camps, complete with a rigid chain of command and a propensity for murdering \"traitors.\" The result of their neglect was utter failure for the reeducation program. By telling the story of the program's rocky existence, however, Ron Robin shows how this intriguing chapter of military history was tied to two crucial episodes of twentieth- century American history: the battle over the future of American education and the McCarthy-era hysterics that awaited postwar America.
eBook
Propaganda Performed
The first in-depth scholarly study in English of the Japanese performance medium kamishibai, Sharalyn Orbaugh's Propaganda Performed illuminates the vibrant street culture of 1930s Japan as well as the visual and narrative rhetoric of Japanese propaganda in World War II. Emerging from Japan's cities in the late 1920s, kamishibai rapidly transformed from a cheap amusement associated with poverty into the most popular form of juvenile entertainment, eclipsing even film and manga. By the time kamishibai died as a living medium in the 1970s it had left behind indelible influences on popular culture forms such as manga and anime, as well as on avant-garde cinema, theater, and art.From 1932 to 1945, however, kamishibai also became a vehicle for propaganda messages aimed not primarily at children, but at adults. A mixture of script, image, and performance, the medium was particularly suited to conveying populist, emotionally compelling messages to audiences of all classes, ages, and literacy levels, making it a crucial tool in the government's efforts to mobilize the domestic populace in Japan and to pacify the inhabitants of the empire's colonies and occupied territories. With seven complete translations of wartime plays, over 300 color illustrations from hard-to-access kamishibai play cards, and photographs of prewar performances, this study constitutes an archive of wartime history in addition to providing a detailed analysis of the rhetoric of political persuasion.
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