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The Comic Imagination in Modern African Literature and Cinema
by
Nwosu, Maik
in
20th century
/ 20th Century Literature
/ 21st Century Literature
/ African American Literature
/ African Cinema
/ African Film
/ African Literature
/ African literature (English)
/ African literature (English) -- 20th century -- History and criticism
/ African literature (French)
/ African literature (French) -- 20th century -- History and criticism
/ African literatures
/ African Studies
/ African wit and humor -- History and criticism
/ Carnivalesque
/ Chinua Achebe
/ Comedy
/ Comedy films
/ Comedy films -- Nigeria -- History and criticism
/ Comedy Studies
/ Comic Imagination
/ Comic, The, in literature
/ Critical Theory
/ History and criticism
/ Laughter
/ Literary
/ Literature
/ Literature & Culture
/ Literature & Race
/ Mongo Beti
/ Nigerian Film
/ Nkem Nwankwo
/ Nollywood
/ Okot p’Bitek
/ Omotola Jalade Ekeinde
/ Poetics
/ Post-Colonial Studies
/ Postcolonial
/ Trickster
/ World Cinema
/ World Literature
2016
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The Comic Imagination in Modern African Literature and Cinema
by
Nwosu, Maik
in
20th century
/ 20th Century Literature
/ 21st Century Literature
/ African American Literature
/ African Cinema
/ African Film
/ African Literature
/ African literature (English)
/ African literature (English) -- 20th century -- History and criticism
/ African literature (French)
/ African literature (French) -- 20th century -- History and criticism
/ African literatures
/ African Studies
/ African wit and humor -- History and criticism
/ Carnivalesque
/ Chinua Achebe
/ Comedy
/ Comedy films
/ Comedy films -- Nigeria -- History and criticism
/ Comedy Studies
/ Comic Imagination
/ Comic, The, in literature
/ Critical Theory
/ History and criticism
/ Laughter
/ Literary
/ Literature
/ Literature & Culture
/ Literature & Race
/ Mongo Beti
/ Nigerian Film
/ Nkem Nwankwo
/ Nollywood
/ Okot p’Bitek
/ Omotola Jalade Ekeinde
/ Poetics
/ Post-Colonial Studies
/ Postcolonial
/ Trickster
/ World Cinema
/ World Literature
2016
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Do you wish to request the book?
The Comic Imagination in Modern African Literature and Cinema
by
Nwosu, Maik
in
20th century
/ 20th Century Literature
/ 21st Century Literature
/ African American Literature
/ African Cinema
/ African Film
/ African Literature
/ African literature (English)
/ African literature (English) -- 20th century -- History and criticism
/ African literature (French)
/ African literature (French) -- 20th century -- History and criticism
/ African literatures
/ African Studies
/ African wit and humor -- History and criticism
/ Carnivalesque
/ Chinua Achebe
/ Comedy
/ Comedy films
/ Comedy films -- Nigeria -- History and criticism
/ Comedy Studies
/ Comic Imagination
/ Comic, The, in literature
/ Critical Theory
/ History and criticism
/ Laughter
/ Literary
/ Literature
/ Literature & Culture
/ Literature & Race
/ Mongo Beti
/ Nigerian Film
/ Nkem Nwankwo
/ Nollywood
/ Okot p’Bitek
/ Omotola Jalade Ekeinde
/ Poetics
/ Post-Colonial Studies
/ Postcolonial
/ Trickster
/ World Cinema
/ World Literature
2016
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The Comic Imagination in Modern African Literature and Cinema
eBook
The Comic Imagination in Modern African Literature and Cinema
2016
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Overview
This book is a seminal study that significantly expands the interdisciplinary discourse on African literature and cinema by exploring Africa's under-visited carnivalesque poetics of laughter. Focusing on modern African literature as well as contemporary African cinema, particularly the direct-to-video Nigerian film industry known as Nollywood, the book examines the often-neglected aesthetics of the African comic imagination. In modern African literature, which sometimes creatively traces a path back to African folklore, and in Nollywood - with its aesthetic relationship to Onitsha Market Literature - the pertinent styles range from comic simplicitas to comic magnitude with the facilitation of language, characterization, and plot by a poetics of laughter or lightness as an important aspect of style. The poetics at work is substantially carnivalesque, a comic preference or tendency that is attributable, in different contexts, to a purposeful comic sensibility or an unstructured but ingrained or virtual comic mode. In the best instances of this comic vision, the characteristic laughter or lightness can facilitate a revaluation or reappreciation of the world, either because of the aesthetic structure of signification or the consequent chain of signification. This referentiality or progressive signification is an important aspect of the poetics of laughter as the African comic imagination variously reflects, across genres, both the festival character of comedy and its pedagogical value. This book marks an important contribution to African literature, postcolonial literature, world literature, comic imagination, poetics, critical theory, and African cinema.
Publisher
Routledge,Taylor and Francis,Routlege,Taylor & Francis Group
Subject
/ African literature (English)
/ African literature (English) -- 20th century -- History and criticism
/ African literature (French) -- 20th century -- History and criticism
/ African wit and humor -- History and criticism
/ Comedy
/ Comedy films -- Nigeria -- History and criticism
/ Laughter
/ Literary
/ Poetics
ISBN
1317374924, 9781317374923, 0367874482, 9780367874483, 1138942669, 9781138942660
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