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Literature, American Style
by
Tawil, Ezra
in
1783-1850
/ 18th century
/ American
/ American literature
/ American Studies
/ Cultural Studies
/ English language
/ History
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
/ LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
/ LITERARY CRITICISM / General
/ Literature
/ National characteristics, American, in literature
/ Nationalism and literature
/ Orthography and spelling
/ Style
/ United States
2018
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Literature, American Style
by
Tawil, Ezra
in
1783-1850
/ 18th century
/ American
/ American literature
/ American Studies
/ Cultural Studies
/ English language
/ History
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
/ LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
/ LITERARY CRITICISM / General
/ Literature
/ National characteristics, American, in literature
/ Nationalism and literature
/ Orthography and spelling
/ Style
/ United States
2018
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Do you wish to request the book?
Literature, American Style
by
Tawil, Ezra
in
1783-1850
/ 18th century
/ American
/ American literature
/ American Studies
/ Cultural Studies
/ English language
/ History
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
/ LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
/ LITERARY CRITICISM / General
/ Literature
/ National characteristics, American, in literature
/ Nationalism and literature
/ Orthography and spelling
/ Style
/ United States
2018
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Literature, American Style
2018
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Overview
Between 1780 and 1800, authors of imaginative literature in the
new United States wanted to assert that their works, which bore
obvious connections to anglophone literature on the far side of the
Atlantic, nevertheless constituted a properly \"American\" tradition.
No one had yet figured out, however, what it would mean to write
like an American, what literature with an American origin would
look like, nor what literary characteristics the elusive quality of
Americanness could generate. Literature, American Style
returns to this historical moment-decades before the romantic
nationalism of Cooper, the transcendentalism of Emerson and
Thoreau, or the iconoclastic poetics of Whitman-when a fantasy
about the unique characteristics of U.S. literature first took
shape, and when that notion was linked to literary style.
While late eighteenth-century U.S. literature advertised itself
as the cultural manifestation of a radically innovative nation,
Ezra Tawil argues, it was not primarily marked by invention or
disruption. In fact, its authors self-consciously imitated European
literary traditions while adapting them to a new cultural
environment. These writers gravitated to the realm of style, then,
because it provided a way of sidestepping the uncomfortable reality
of cultural indebtedness; it was their use of style that provided a
way of departing from European literary precedents. Tawil analyzes
Noah Webster's plan to reform the American tongue; J. Hector St.
John de Crèvecoeur's fashioning of an extravagantly naïve American
style from well-worn topoi; Charles Brockden Brown's adaptations of
the British gothic; and the marriage of seduction plots to American
\"plain style\" in works such as Susanna Rowson's Charlotte
Temple and Hannah Webster Foster's The Coquette . Each
of these works claims to embody something \"American\" in style yet,
according to Tawil, remains legible only in the context of
stylistic, generic, and conceptual forms that animated English
cultural life through the century.
Publisher
University of Pennsylvania Press, Inc,University of Pennsylvania Press
Subject
ISBN
9780812250374, 0812250370, 9780812295290, 0812295293
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