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Breaking Resemblance
by
Alena Alexandrova
in
20th century
/ 21st century
/ acheiropoietos
/ appropriation
/ Art & Art History
/ Art & Visual Culture
/ ART / Criticism & Theory
/ Art and religion
/ Art, Modern
/ contemporary art
/ counter-motif
/ Criticism & Theory
/ cult image
/ eras of the image
/ exhibition
/ iconoclasm
/ Idols and images in art
/ installation
/ ready-made
/ regimes of the image
/ RELIGION
/ RELIGION / General
/ religious iconography
/ religious motif
/ sculpture
/ spirituality
/ Themes, motives
/ video-art
2017,2020
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Breaking Resemblance
by
Alena Alexandrova
in
20th century
/ 21st century
/ acheiropoietos
/ appropriation
/ Art & Art History
/ Art & Visual Culture
/ ART / Criticism & Theory
/ Art and religion
/ Art, Modern
/ contemporary art
/ counter-motif
/ Criticism & Theory
/ cult image
/ eras of the image
/ exhibition
/ iconoclasm
/ Idols and images in art
/ installation
/ ready-made
/ regimes of the image
/ RELIGION
/ RELIGION / General
/ religious iconography
/ religious motif
/ sculpture
/ spirituality
/ Themes, motives
/ video-art
2017,2020
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Do you wish to request the book?
Breaking Resemblance
by
Alena Alexandrova
in
20th century
/ 21st century
/ acheiropoietos
/ appropriation
/ Art & Art History
/ Art & Visual Culture
/ ART / Criticism & Theory
/ Art and religion
/ Art, Modern
/ contemporary art
/ counter-motif
/ Criticism & Theory
/ cult image
/ eras of the image
/ exhibition
/ iconoclasm
/ Idols and images in art
/ installation
/ ready-made
/ regimes of the image
/ RELIGION
/ RELIGION / General
/ religious iconography
/ religious motif
/ sculpture
/ spirituality
/ Themes, motives
/ video-art
2017,2020
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eBook
Breaking Resemblance
2017,2020
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Overview
In recent decades curators and artists have shown a distinct interest in religion, its different traditions, manifestations in public life, gestures and images. Breaking Resemblance explores the complex relationship between contemporary art and religion by focusing on the ways artists re-work religious motifs as a means to reflect critically on our desire to believe in images, on the history of seeing them, and on their double power— iconic and political. It discusses a number of exhibitions that take religion as their central theme, and a selection of works by Bill Viola, Lawrence Malstaf, Victoria Reynolds, and Berlinde de Bruyckere—all of whom, in their respective ways and media, recycle religious motifs and iconography and whose works resonate with, or problematize the motif of, the true image.
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