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The Ovidian Vogue
by
Moss, Daniel D
in
16th century
/ 43 B.C.-17 A.D. or 18 A.D
/ Adaptations
/ Appreciation
/ Early modern, 1500-1700
/ England
/ English literature
/ English literature -- Roman influences
/ English poetry
/ English poetry-Early modern, 1500-1700-History and criticism
/ English, Irish, Scottish, Welsh
/ European
/ HISTORY
/ HISTORY / Renaissance
/ History and criticism
/ Imitation in literature
/ Influence
/ Language & Literature
/ LITERARY CRITICISM
/ LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
/ LITERARY CRITICISM / Poetry
/ LITERARY CRITICISM / Renaissance
/ LITERARY CRITICISM / Shakespeare
/ Literature and society
/ Literature and society -- England -- History -- 16th century
/ Ovid
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Adaptations -- History and criticism
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Appreciation -- England
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Influence
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Parodies, imitations, etc. -- History and criticism
/ Ovid, 43 b.c.–17 a.d. or 18 a.d
/ Parodies, imitations, etc
/ Poetry
/ Renaissance
/ Roman influences
/ Shakespeare
2014
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The Ovidian Vogue
by
Moss, Daniel D
in
16th century
/ 43 B.C.-17 A.D. or 18 A.D
/ Adaptations
/ Appreciation
/ Early modern, 1500-1700
/ England
/ English literature
/ English literature -- Roman influences
/ English poetry
/ English poetry-Early modern, 1500-1700-History and criticism
/ English, Irish, Scottish, Welsh
/ European
/ HISTORY
/ HISTORY / Renaissance
/ History and criticism
/ Imitation in literature
/ Influence
/ Language & Literature
/ LITERARY CRITICISM
/ LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
/ LITERARY CRITICISM / Poetry
/ LITERARY CRITICISM / Renaissance
/ LITERARY CRITICISM / Shakespeare
/ Literature and society
/ Literature and society -- England -- History -- 16th century
/ Ovid
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Adaptations -- History and criticism
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Appreciation -- England
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Influence
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Parodies, imitations, etc. -- History and criticism
/ Ovid, 43 b.c.–17 a.d. or 18 a.d
/ Parodies, imitations, etc
/ Poetry
/ Renaissance
/ Roman influences
/ Shakespeare
2014
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The Ovidian Vogue
by
Moss, Daniel D
in
16th century
/ 43 B.C.-17 A.D. or 18 A.D
/ Adaptations
/ Appreciation
/ Early modern, 1500-1700
/ England
/ English literature
/ English literature -- Roman influences
/ English poetry
/ English poetry-Early modern, 1500-1700-History and criticism
/ English, Irish, Scottish, Welsh
/ European
/ HISTORY
/ HISTORY / Renaissance
/ History and criticism
/ Imitation in literature
/ Influence
/ Language & Literature
/ LITERARY CRITICISM
/ LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
/ LITERARY CRITICISM / Poetry
/ LITERARY CRITICISM / Renaissance
/ LITERARY CRITICISM / Shakespeare
/ Literature and society
/ Literature and society -- England -- History -- 16th century
/ Ovid
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Adaptations -- History and criticism
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Appreciation -- England
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Influence
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Parodies, imitations, etc. -- History and criticism
/ Ovid, 43 b.c.–17 a.d. or 18 a.d
/ Parodies, imitations, etc
/ Poetry
/ Renaissance
/ Roman influences
/ Shakespeare
2014
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eBook
The Ovidian Vogue
2014
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Overview
The Roman poet Ovid was one of the most-imitated classical writers of the Elizabethan age and a touchstone for generations of English writers. InThe Ovidian Vogue, Daniel Moss argues that poets appropriated Ovid not just to connect with the ancient past but also to communicate and compete within late Elizabethan literary culture.
Moss explains how in the 1590s rising stars like Thomas Nashe and William Shakespeare adopted Ovidian language to introduce themselves to patrons and rivals, while established figures like Edmund Spenser and Michael Drayton alluded to Ovid's works as a way to map their own poetic development. Even poets such as George Chapman, John Donne, and Ben Jonson, whose early work pointedly abandoned Ovid as cliché, could not escape his influence. Moss's research exposes the literary impulses at work in the flourishing of poetry that grappled with Ovid's cultural authority.
Publisher
University of Toronto Press, Scholarly Publishing Division,University of Toronto Press,University of Toronto Press, Scholarly Publishing
Subject
/ England
/ English literature -- Roman influences
/ English poetry-Early modern, 1500-1700-History and criticism
/ English, Irish, Scottish, Welsh
/ European
/ HISTORY
/ LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
/ LITERARY CRITICISM / Renaissance
/ LITERARY CRITICISM / Shakespeare
/ Literature and society -- England -- History -- 16th century
/ Ovid
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Adaptations -- History and criticism
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Appreciation -- England
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Influence
/ Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Parodies, imitations, etc. -- History and criticism
/ Ovid, 43 b.c.–17 a.d. or 18 a.d
/ Poetry
ISBN
9781442648685, 1442648686, 1442617489, 1442617470, 9781442617476, 9781442617483
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