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I Want to Be Ready: Improvised Dance as a Practice of Freedom
by
Goldman, Danielle
in
Dance
/ Dance -- Political aspects
/ Dance technique
/ Dance Theory
/ Dance:Dance
/ Foucault, Michel
/ History
/ History and Philosophy of Dance
/ Human body
/ Improvisation
/ Improvisation in dance
/ Modern
/ PERFORMING ARTS
/ Political aspects
/ Politics
/ Race and culture
/ Sociology
/ Traditional:Improvisation
2010
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I Want to Be Ready: Improvised Dance as a Practice of Freedom
by
Goldman, Danielle
in
Dance
/ Dance -- Political aspects
/ Dance technique
/ Dance Theory
/ Dance:Dance
/ Foucault, Michel
/ History
/ History and Philosophy of Dance
/ Human body
/ Improvisation
/ Improvisation in dance
/ Modern
/ PERFORMING ARTS
/ Political aspects
/ Politics
/ Race and culture
/ Sociology
/ Traditional:Improvisation
2010
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Do you wish to request the book?
I Want to Be Ready: Improvised Dance as a Practice of Freedom
by
Goldman, Danielle
in
Dance
/ Dance -- Political aspects
/ Dance technique
/ Dance Theory
/ Dance:Dance
/ Foucault, Michel
/ History
/ History and Philosophy of Dance
/ Human body
/ Improvisation
/ Improvisation in dance
/ Modern
/ PERFORMING ARTS
/ Political aspects
/ Politics
/ Race and culture
/ Sociology
/ Traditional:Improvisation
2010
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I Want to Be Ready: Improvised Dance as a Practice of Freedom
eBook
I Want to Be Ready: Improvised Dance as a Practice of Freedom
2010
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Overview
I Want To Be Ready draws on original archival research, careful readings of individual performances, and a thorough knowledge of dance scholarship to offer an understanding of the \"freedom\" of improvisational dance. While scholars often celebrate the freedom of improvised performances, they are generally focusing on freedom from formal constraints. Drawing on the work of Michel Foucault and Houston Baker, among others, Danielle Goldman argues that this negative idea of freedom elides improvisation's greatest power. Far from representing an escape from the necessities of genre, gender, class, and race, the most skillful improvisations negotiate an ever shifting landscape of constraints. This work will appeal to those interested in dance history and criticism and also interdisciplinary audiences in the fields of American and cultural studies.
Publisher
University of Michigan Press
Subject
ISBN
9780472026616, 0472026615, 0472050842, 9780472070848, 9780472050840, 0472070843
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