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Authenticity and Aspiration
by
Godfrey, Sarah
in
Analysis
/ Audiences
/ Authenticity
/ Broadcasting
/ Case Studies
/ Chadha, Gurinder
/ Children
/ Children & youth
/ Childrens television
/ Comedy
/ Context
/ Criticism and interpretation
/ Cultural identity
/ Culture
/ Females
/ Femininity
/ Friendship
/ Girls
/ Honesty
/ Literary Genres
/ Mobility
/ Nationalism
/ Popular Culture
/ Portrayals
/ Preadolescents
/ Preteens
/ Programming (Broadcast)
/ Public Service
/ Services
/ Social aspects
/ Television
/ Television broadcasting industry
/ Television programs
/ Television Research
/ Transnationalism
2018
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Authenticity and Aspiration
by
Godfrey, Sarah
in
Analysis
/ Audiences
/ Authenticity
/ Broadcasting
/ Case Studies
/ Chadha, Gurinder
/ Children
/ Children & youth
/ Childrens television
/ Comedy
/ Context
/ Criticism and interpretation
/ Cultural identity
/ Culture
/ Females
/ Femininity
/ Friendship
/ Girls
/ Honesty
/ Literary Genres
/ Mobility
/ Nationalism
/ Popular Culture
/ Portrayals
/ Preadolescents
/ Preteens
/ Programming (Broadcast)
/ Public Service
/ Services
/ Social aspects
/ Television
/ Television broadcasting industry
/ Television programs
/ Television Research
/ Transnationalism
2018
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Do you wish to request the book?
Authenticity and Aspiration
by
Godfrey, Sarah
in
Analysis
/ Audiences
/ Authenticity
/ Broadcasting
/ Case Studies
/ Chadha, Gurinder
/ Children
/ Children & youth
/ Childrens television
/ Comedy
/ Context
/ Criticism and interpretation
/ Cultural identity
/ Culture
/ Females
/ Femininity
/ Friendship
/ Girls
/ Honesty
/ Literary Genres
/ Mobility
/ Nationalism
/ Popular Culture
/ Portrayals
/ Preadolescents
/ Preteens
/ Programming (Broadcast)
/ Public Service
/ Services
/ Social aspects
/ Television
/ Television broadcasting industry
/ Television programs
/ Television Research
/ Transnationalism
2018
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Journal Article
Authenticity and Aspiration
2018
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Overview
AbstractIn this article, I argue that while the tween is understood as having transnational relevance and mobility, this is often emphasized in ways that overlook the national and cultural specificities of tween culture. I argue that the distinctive context of British television history augments the connections between national and transnational paradigms of tween culture in important ways. While authenticity, friendships, and honesty remain foregrounded in a number of Children’s British Broadcasting Corporation (CBBC) shows, these are constructed through a national discourse that connects to transnational models of the tween girl but also mobilizes a cultural specificity that is inextricable from the broadcasting context in which it is produced.
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