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Sine Dolore
by
Derrin, Daniel
in
Allusion
/ Ambiguity
/ Augustine of Hippo, Saint
/ British & Irish literature
/ Christian civilization
/ Christianity
/ Comedies
/ Context
/ Criticism and interpretation
/ Elizabethan drama
/ English literature
/ Heroism & heroes
/ Laughter
/ Literary characters
/ Literary criticism
/ Literary devices
/ Military aspects
/ Narrative techniques
/ Pain
/ Plot (Narrative)
/ Portrayals
/ Psychological aspects
/ Shakespeare plays
/ Shakespeare, William (1564-1616)
/ Shakespeare, William (English playwright)
/ Theater
/ Theater criticism
/ War
/ Wars
2018
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Sine Dolore
by
Derrin, Daniel
in
Allusion
/ Ambiguity
/ Augustine of Hippo, Saint
/ British & Irish literature
/ Christian civilization
/ Christianity
/ Comedies
/ Context
/ Criticism and interpretation
/ Elizabethan drama
/ English literature
/ Heroism & heroes
/ Laughter
/ Literary characters
/ Literary criticism
/ Literary devices
/ Military aspects
/ Narrative techniques
/ Pain
/ Plot (Narrative)
/ Portrayals
/ Psychological aspects
/ Shakespeare plays
/ Shakespeare, William (1564-1616)
/ Shakespeare, William (English playwright)
/ Theater
/ Theater criticism
/ War
/ Wars
2018
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Do you wish to request the book?
Sine Dolore
by
Derrin, Daniel
in
Allusion
/ Ambiguity
/ Augustine of Hippo, Saint
/ British & Irish literature
/ Christian civilization
/ Christianity
/ Comedies
/ Context
/ Criticism and interpretation
/ Elizabethan drama
/ English literature
/ Heroism & heroes
/ Laughter
/ Literary characters
/ Literary criticism
/ Literary devices
/ Military aspects
/ Narrative techniques
/ Pain
/ Plot (Narrative)
/ Portrayals
/ Psychological aspects
/ Shakespeare plays
/ Shakespeare, William (1564-1616)
/ Shakespeare, William (English playwright)
/ Theater
/ Theater criticism
/ War
/ Wars
2018
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Journal Article
Sine Dolore
2018
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Overview
How do we understand Shakespeare’s invitation to laugh in the context of war? Previous critical accounts have offered too simple a view: that laughter undercuts military ideals. Instead, this article draws on the Aristotelian description of laughable ‘deformity’ and Plato’s description of laughable ignorance in order to characterize Shakespeare’s laughter in the context of war more carefully as an expression of ‘relative painlessness’. It discusses how the fraught amusement of Coriolanus (Coriolanus), the reciprocality of Falstaff and Hotspur as laughable military failures (1 Henry IV) and the laughter of Bertram at Paroles (All’s Well That Ends Well) each engage with an ancient philosophical conundrum articulated poignantly by St. Augustine: the requirement that a Christian civilization engage in war to defend itself against honour-obsessed aggressors without turning into a like aggressor itself. Shakespeare’s laughter at war enacts the desire for that balance.
Publisher
Berghahn Journals,Berghahn Books,Berghahn Books, Inc
Subject
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