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El monólogo fílmico desde la Semiótica Comparada
El monólogo fílmico desde la Semiótica Comparada
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El monólogo fílmico desde la Semiótica Comparada
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El monólogo fílmico desde la Semiótica Comparada
El monólogo fílmico desde la Semiótica Comparada

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El monólogo fílmico desde la Semiótica Comparada
El monólogo fílmico desde la Semiótica Comparada
Journal Article

El monólogo fílmico desde la Semiótica Comparada

2022
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Overview
Este estudio se aproxima a los problemas teóricos del monólogo fílmico como técnica de representación de la interioridad en la pantalla. Para este propósito, aborda la espinosa cuestión de las dos focalizaciones expresivas (literaria y fílmica), así como el distinto funcionamiento entre los lenguajes de la literatura y el cine. Frente a la hegemonía de la palabra como instrumento expresivo de la literatura, el estudio examina el proceso de codificación semiótica del discurso fílmico, integrado por códigos verbales, visuales y auditivos en una pluralidad sígnica. Para trazar estos itinerarios teóricos, recupera los enfoques críticos diseminados en distintas tradiciones teóricas, acercándose a conceptos afines como la dualidad entre «ojo físico» y «ojo de la mente», los narradores invisibles o el «dentro» y «fuera» de la pantalla para evidenciar, finalmente, la necesidad de repensar la técnica del monólogo interior desde la Semiótica Comparada.