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\Remember, you're the good guy:\ 'Hidalgo', American Identity, and Histories of the Western
by
Kollin, Susan
in
American Indians
/ American studies
/ Arab people
/ Counterterrorism
/ Cowboys
/ Film criticism
/ French language
/ Horses
/ Motion picture criticism
/ Motion picture industry
/ Motion pictures
/ Movies
/ Native Americans
/ Orientalism
/ September 11 terrorist attacks-2001
/ Statues
/ Terrorism
/ United States history
/ Westerns
2010
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\Remember, you're the good guy:\ 'Hidalgo', American Identity, and Histories of the Western
by
Kollin, Susan
in
American Indians
/ American studies
/ Arab people
/ Counterterrorism
/ Cowboys
/ Film criticism
/ French language
/ Horses
/ Motion picture criticism
/ Motion picture industry
/ Motion pictures
/ Movies
/ Native Americans
/ Orientalism
/ September 11 terrorist attacks-2001
/ Statues
/ Terrorism
/ United States history
/ Westerns
2010
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Do you wish to request the book?
\Remember, you're the good guy:\ 'Hidalgo', American Identity, and Histories of the Western
by
Kollin, Susan
in
American Indians
/ American studies
/ Arab people
/ Counterterrorism
/ Cowboys
/ Film criticism
/ French language
/ Horses
/ Motion picture criticism
/ Motion picture industry
/ Motion pictures
/ Movies
/ Native Americans
/ Orientalism
/ September 11 terrorist attacks-2001
/ Statues
/ Terrorism
/ United States history
/ Westerns
2010
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\Remember, you're the good guy:\ 'Hidalgo', American Identity, and Histories of the Western
Journal Article
\Remember, you're the good guy:\ 'Hidalgo', American Identity, and Histories of the Western
2010
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Overview
Kollin focuses on the film, Hidalgo, a twenty-first century Western released in 2004 that stages European American encounters with Native Americans and Arab peoples from various locales across the Middle East. Film scholar Philip French once noted that while the historical background in the Western is often used for larger mythical stories of adventure and intrigue, \"the tales [are] as much about the hopes and anxieties of the time in which they were made as the period they were set. Hidalgo appeared in theaters one year after the U.S. invasion of Iraq and in the midst of the Bush Administration's post-9/11 war on terrorism.
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