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\Remember, you're the good guy:\ 'Hidalgo', American Identity, and Histories of the Western
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\Remember, you're the good guy:\ 'Hidalgo', American Identity, and Histories of the Western
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\Remember, you're the good guy:\ 'Hidalgo', American Identity, and Histories of the Western
\Remember, you're the good guy:\ 'Hidalgo', American Identity, and Histories of the Western
Journal Article

\Remember, you're the good guy:\ 'Hidalgo', American Identity, and Histories of the Western

2010
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Overview
Kollin focuses on the film, Hidalgo, a twenty-first century Western released in 2004 that stages European American encounters with Native Americans and Arab peoples from various locales across the Middle East. Film scholar Philip French once noted that while the historical background in the Western is often used for larger mythical stories of adventure and intrigue, \"the tales [are] as much about the hopes and anxieties of the time in which they were made as the period they were set. Hidalgo appeared in theaters one year after the U.S. invasion of Iraq and in the midst of the Bush Administration's post-9/11 war on terrorism.