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African \Authenticity\ and the Biafran Experience
by
Adichie, Chimamanda Ngozi
in
Achebe, Chinua
/ African Americans
/ American literature
/ British & Irish literature
/ Children
/ Colonialism
/ Conrad, Joseph (1857-1924)
/ Courage
/ Ellis, Bret Easton (1964- )
/ English literature
/ European cultural groups
/ Literary characters
/ Literature
/ Nigerian literature
/ Poetry
/ Race
/ Racism
/ Romantic literature
/ Social reality
/ Stereotypes
/ Universalism
/ War
2008
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African \Authenticity\ and the Biafran Experience
by
Adichie, Chimamanda Ngozi
in
Achebe, Chinua
/ African Americans
/ American literature
/ British & Irish literature
/ Children
/ Colonialism
/ Conrad, Joseph (1857-1924)
/ Courage
/ Ellis, Bret Easton (1964- )
/ English literature
/ European cultural groups
/ Literary characters
/ Literature
/ Nigerian literature
/ Poetry
/ Race
/ Racism
/ Romantic literature
/ Social reality
/ Stereotypes
/ Universalism
/ War
2008
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Do you wish to request the book?
African \Authenticity\ and the Biafran Experience
by
Adichie, Chimamanda Ngozi
in
Achebe, Chinua
/ African Americans
/ American literature
/ British & Irish literature
/ Children
/ Colonialism
/ Conrad, Joseph (1857-1924)
/ Courage
/ Ellis, Bret Easton (1964- )
/ English literature
/ European cultural groups
/ Literary characters
/ Literature
/ Nigerian literature
/ Poetry
/ Race
/ Racism
/ Romantic literature
/ Social reality
/ Stereotypes
/ Universalism
/ War
2008
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Journal Article
African \Authenticity\ and the Biafran Experience
2008
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Overview
All my characters were white and had blue eyes and played in the snow and ate apples and had dogs called Socks. Okonkwo and Ezinma and Ikemefuna taught me that my world was worthy of literature, that books could also have people like me in them. Racism, the idea of the black race as inferior to the white race, and even the construction of race itself as a biological and social reality, was of course used by Western Europeans to justify slavery and later to justify colonialism. Even the more serious books which I read later, those with well-meaning intentions, such as Joseph Conrad's Heart of Darkness (1902)-essentially about the evils of colonialism-did not have a single African character portrayed as fully human.
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