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TOLSTOI, NAPOLEON, AND HERO-WORSHIP: THE PATHS OF PIERRE BEZUKHOV AND ANDREI BOLKONSKII
TOLSTOI, NAPOLEON, AND HERO-WORSHIP: THE PATHS OF PIERRE BEZUKHOV AND ANDREI BOLKONSKII
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TOLSTOI, NAPOLEON, AND HERO-WORSHIP: THE PATHS OF PIERRE BEZUKHOV AND ANDREI BOLKONSKII
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TOLSTOI, NAPOLEON, AND HERO-WORSHIP: THE PATHS OF PIERRE BEZUKHOV AND ANDREI BOLKONSKII
TOLSTOI, NAPOLEON, AND HERO-WORSHIP: THE PATHS OF PIERRE BEZUKHOV AND ANDREI BOLKONSKII
Journal Article

TOLSTOI, NAPOLEON, AND HERO-WORSHIP: THE PATHS OF PIERRE BEZUKHOV AND ANDREI BOLKONSKII

2018
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Overview
In his influential study of Tolstoi (Tolstoi in the Sixties, 1930), Boris Eikhenbaum argued against the idea of War and Peace as a unified work of fiction, maintaining that Tolstoi's main focus changed from a family-oriented, anti-historical novel in the first half of the work to a more military-oriented, historical epic in the second half. Eikhenbaum insists that \"it is altogether impossible to speak of this work as a novel written according to a single plan, a single preconceived design. This shift in Tolstoi's focus he attributed to the influence of conservative Slavophile writers and thinkers Mikhail Pogodin and Sergei Urusov.
Publisher
American Association of Teachers of Slavic and East European Languages