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In the Opium Den
by
Lee, Anthony W.
in
Addiction
/ Cameras
/ Commodities
/ Human relations
/ Illegal drug operations
/ Interpersonal relationships
/ Martinez, Xavier
/ Men
/ Narcotic dependence
/ Narcotics
/ Opium
/ Photographers
/ Photography
/ Pleasure
/ Police
/ Taber, Isaiah West
/ Theories and Methodologies: Visual Cultures, Literary Cultures
/ Visual artists
/ Visual culture
2010
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In the Opium Den
by
Lee, Anthony W.
in
Addiction
/ Cameras
/ Commodities
/ Human relations
/ Illegal drug operations
/ Interpersonal relationships
/ Martinez, Xavier
/ Men
/ Narcotic dependence
/ Narcotics
/ Opium
/ Photographers
/ Photography
/ Pleasure
/ Police
/ Taber, Isaiah West
/ Theories and Methodologies: Visual Cultures, Literary Cultures
/ Visual artists
/ Visual culture
2010
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Do you wish to request the book?
In the Opium Den
by
Lee, Anthony W.
in
Addiction
/ Cameras
/ Commodities
/ Human relations
/ Illegal drug operations
/ Interpersonal relationships
/ Martinez, Xavier
/ Men
/ Narcotic dependence
/ Narcotics
/ Opium
/ Photographers
/ Photography
/ Pleasure
/ Police
/ Taber, Isaiah West
/ Theories and Methodologies: Visual Cultures, Literary Cultures
/ Visual artists
/ Visual culture
2010
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Journal Article
In the Opium Den
2010
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Overview
Among other things, photographs are deposits of social relations. To put it another way, they are social relations temporarily hardened into images—figured, captured, frozen. The most obvious of those relations, that between the photographer and the sitter, has been a regular subject of inquiry for art history. Acknowledging but leaving that kind of interest aside for the moment, we may explore other sorts of relations in and around a photograph and pursue a line of inquiry more in keeping with visual culture. Here's a quick example.
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