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Representations of Nineteenth Century Mormonism in A Mormon Maid: A Cinematic Analysis
by
Weagel, Elisabeth
in
19th century
/ 20th century
/ Archives & records
/ Borzage, Frank (1894-1962)
/ British & Irish literature
/ Christianity
/ Colonialism
/ Criticism and interpretation
/ DeMille, Cecil B (Cecil Blount) (1881-1959)
/ Doyle, Arthur Conan (1859-1930)
/ English literature
/ Film theory
/ History
/ Leonard, Robert Z
/ Marriage
/ Mormonism
/ Motion pictures
/ Movie directors
/ Portrayals
/ Propaganda
/ Race
/ Racism
/ Religion
/ Semiotics
/ Silent films
/ Storytelling
/ Wives
2018
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Representations of Nineteenth Century Mormonism in A Mormon Maid: A Cinematic Analysis
by
Weagel, Elisabeth
in
19th century
/ 20th century
/ Archives & records
/ Borzage, Frank (1894-1962)
/ British & Irish literature
/ Christianity
/ Colonialism
/ Criticism and interpretation
/ DeMille, Cecil B (Cecil Blount) (1881-1959)
/ Doyle, Arthur Conan (1859-1930)
/ English literature
/ Film theory
/ History
/ Leonard, Robert Z
/ Marriage
/ Mormonism
/ Motion pictures
/ Movie directors
/ Portrayals
/ Propaganda
/ Race
/ Racism
/ Religion
/ Semiotics
/ Silent films
/ Storytelling
/ Wives
2018
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Representations of Nineteenth Century Mormonism in A Mormon Maid: A Cinematic Analysis
by
Weagel, Elisabeth
in
19th century
/ 20th century
/ Archives & records
/ Borzage, Frank (1894-1962)
/ British & Irish literature
/ Christianity
/ Colonialism
/ Criticism and interpretation
/ DeMille, Cecil B (Cecil Blount) (1881-1959)
/ Doyle, Arthur Conan (1859-1930)
/ English literature
/ Film theory
/ History
/ Leonard, Robert Z
/ Marriage
/ Mormonism
/ Motion pictures
/ Movie directors
/ Portrayals
/ Propaganda
/ Race
/ Racism
/ Religion
/ Semiotics
/ Silent films
/ Storytelling
/ Wives
2018
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Representations of Nineteenth Century Mormonism in A Mormon Maid: A Cinematic Analysis
Journal Article
Representations of Nineteenth Century Mormonism in A Mormon Maid: A Cinematic Analysis
2018
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Overview
During the first quarter of the 20th century there was a trend in Hollywood to make films about Mormons. Practices such as polygamy created just the kind of sensationalism that attracted filmmakers (even Thomas Edison contributed with his 1902 film A Trip to Salt Lake).Many of these were B-pictures, but the 1917 film A Mormon Maid stands out because it was produced by a major production company (Paramount) and was backed by top director Cecil B. DeMille. It is often given passing reference, but very little genuine scholarship has been done on the film. A hundred years after its release, A Mormon Maid is remembered in name only. This paper is an in-depth analysis of the text as a reflection of and influence on the way the Mormon faith was perceived in the early twentieth century.
Publisher
University of Nebraska at Omaha, Department of Philosophy and Religion
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