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The Scientific Arts of Theater: The Bio-Social World-Theater with Examples from Lope, Calderón, and Others
by
Connor (Swietlicki), Catherine
in
Anatomy & physiology
/ Art history
/ Camillo, Giulio (ca 1480-1544)
/ Culture
/ Drama
/ Literary criticism
/ Lope de Vega, Felix (1562-1635)
/ Science
/ Sociocultural factors
/ Spanish literature
/ Theater
/ Theory
2006
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The Scientific Arts of Theater: The Bio-Social World-Theater with Examples from Lope, Calderón, and Others
by
Connor (Swietlicki), Catherine
in
Anatomy & physiology
/ Art history
/ Camillo, Giulio (ca 1480-1544)
/ Culture
/ Drama
/ Literary criticism
/ Lope de Vega, Felix (1562-1635)
/ Science
/ Sociocultural factors
/ Spanish literature
/ Theater
/ Theory
2006
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Do you wish to request the book?
The Scientific Arts of Theater: The Bio-Social World-Theater with Examples from Lope, Calderón, and Others
by
Connor (Swietlicki), Catherine
in
Anatomy & physiology
/ Art history
/ Camillo, Giulio (ca 1480-1544)
/ Culture
/ Drama
/ Literary criticism
/ Lope de Vega, Felix (1562-1635)
/ Science
/ Sociocultural factors
/ Spanish literature
/ Theater
/ Theory
2006
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The Scientific Arts of Theater: The Bio-Social World-Theater with Examples from Lope, Calderón, and Others
Journal Article
The Scientific Arts of Theater: The Bio-Social World-Theater with Examples from Lope, Calderón, and Others
2006
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Overview
If one looks at the self not only in historical and socio-cultural terms but also in bio-evolutionary time, one has strong grounds for suggesting that the world-stage phenomenon is grounded in physiology. This article focuses in particular on the arts and sciences of the theatrical self in Lope's well-known comedia Lo fingido verdadero and in a treatise by Giulio Camillo entitled L'idea del theatro.
Publisher
Bulletin of the Comediantes,University of Georgia, Department of Romance Languages
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