Asset Details
MbrlCatalogueTitleDetail
Do you wish to reserve the book?
THE MEANING OF THE WAVE IN THE FINAL SCENE OF EURIPIDES’ IPHIGENIA TAURICA
by
Duranti, Marco
in
Aeschylus (522-456 BC)
/ Capital punishment
/ Classical literature
/ Deities
/ Euripides (c 485-406 BC)
/ Greek literature
/ Literary criticism
/ Oceans
/ Trends
/ Unexplained phenomena
2022
Hey, we have placed the reservation for you!
By the way, why not check out events that you can attend while you pick your title.
You are currently in the queue to collect this book. You will be notified once it is your turn to collect the book.
Oops! Something went wrong.
Looks like we were not able to place the reservation. Kindly try again later.
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
Do you wish to request the book?
THE MEANING OF THE WAVE IN THE FINAL SCENE OF EURIPIDES’ IPHIGENIA TAURICA
by
Duranti, Marco
in
Aeschylus (522-456 BC)
/ Capital punishment
/ Classical literature
/ Deities
/ Euripides (c 485-406 BC)
/ Greek literature
/ Literary criticism
/ Oceans
/ Trends
/ Unexplained phenomena
2022
Please be aware that the book you have requested cannot be checked out. If you would like to checkout this book, you can reserve another copy
We have requested the book for you!
Your request is successful and it will be processed during the Library working hours. Please check the status of your request in My Requests.
Oops! Something went wrong.
Looks like we were not able to place your request. Kindly try again later.
THE MEANING OF THE WAVE IN THE FINAL SCENE OF EURIPIDES’ IPHIGENIA TAURICA
Journal Article
THE MEANING OF THE WAVE IN THE FINAL SCENE OF EURIPIDES’ IPHIGENIA TAURICA
2022
Request Book From Autostore
and Choose the Collection Method
Overview
This article offers a new interpretation of the wave which, in the finale of Euripides’ Iphigenia Taurica, prevents the Greek ship from leaving the Taurian land, thus making it necessary for the goddess Athena to intervene. My contention is that the wave is the predictable consequence of the sacrilege which the Greeks are committing by stealing Artemis’ cult statue from the Taurian temple. Therefore, we can detect in IT the same religious offence–punishment–compensation structure that can be found in Aeschylus’ Eumenides. However, unlike in Aeschylus’ tragedy, in IT Athena's final decrees compensate only the goddess Artemis and not the human characters: after deeply suffering as instruments of the divine will, not even in the future will they be allowed to fulfil their desires. Thus, we may say that a supernatural ‘wave’ prevents humans from leaving in accordance with their will.
Publisher
Cambridge University Press
This website uses cookies to ensure you get the best experience on our website.