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High clefs and down-to-earth transposition: a brief defence of Monteverdi
by
Parrott, Andrew
in
Classical music
/ Clefs
/ Music composition
/ Music criticism
/ Musical keys
/ Musical performance
/ Musical register
/ Musicology
/ OBSERVATION
/ Soprano
/ Sound pitch
/ Vocal music
/ Vocal registers
2012
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High clefs and down-to-earth transposition: a brief defence of Monteverdi
by
Parrott, Andrew
in
Classical music
/ Clefs
/ Music composition
/ Music criticism
/ Musical keys
/ Musical performance
/ Musical register
/ Musicology
/ OBSERVATION
/ Soprano
/ Sound pitch
/ Vocal music
/ Vocal registers
2012
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Do you wish to request the book?
High clefs and down-to-earth transposition: a brief defence of Monteverdi
by
Parrott, Andrew
in
Classical music
/ Clefs
/ Music composition
/ Music criticism
/ Musical keys
/ Musical performance
/ Musical register
/ Musicology
/ OBSERVATION
/ Soprano
/ Sound pitch
/ Vocal music
/ Vocal registers
2012
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High clefs and down-to-earth transposition: a brief defence of Monteverdi
Journal Article
High clefs and down-to-earth transposition: a brief defence of Monteverdi
2012
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Overview
Focusing on the Magnificat áã in Monteverdi's 1610 publication, this article repudiates the recently repeated proposal by Roger Bowers that its high-def notation demands transposition down a mere 2nd (for which there is no known contemporary precedent); 100 clear instances of transposition by the conventional 4th (and 5th) are listed. Besides its implausible resultant 'F minor', the narrower transposition cannot be justified on the basis of perceived ' inconsistencies' of range, as Monteverdi's own music (and others') provides ample evidence of lower vocal scoring than is expected today.
Publisher
Oxford University Press,Oxford Publishing Limited (England)
Subject
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