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Fractura, melancolía e imposibilidad: el socialismo mariateguiano, la literatura de José María Arguedas y el acontecer social indígena
Fractura, melancolía e imposibilidad: el socialismo mariateguiano, la literatura de José María Arguedas y el acontecer social indígena
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Fractura, melancolía e imposibilidad: el socialismo mariateguiano, la literatura de José María Arguedas y el acontecer social indígena
Fractura, melancolía e imposibilidad: el socialismo mariateguiano, la literatura de José María Arguedas y el acontecer social indígena

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Fractura, melancolía e imposibilidad: el socialismo mariateguiano, la literatura de José María Arguedas y el acontecer social indígena
Fractura, melancolía e imposibilidad: el socialismo mariateguiano, la literatura de José María Arguedas y el acontecer social indígena
Journal Article

Fractura, melancolía e imposibilidad: el socialismo mariateguiano, la literatura de José María Arguedas y el acontecer social indígena

2024
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Overview
From Mariateguian socialism and \"El problema de la tierra\" to the logics of representation in El zorro de arriba y el zorro de abajo (1971) and Todas las sangres (1964), novels by José María Arguedas, this text addresses the variables and particularities of indigenous social happenings in Latin America through a critical analysis of representation policies and their unquestionable connection to left-wing political projects in the region, particularly in the 20th century. Based on three key notions and the relationships that arise among them - the fracture of existence, which triggers melancholy, and the political attitude, which derives from and, at the same time, arises from impossibility - some of the appearances and mentions of indigenous ontologies in Arguedas' literature are given significance, thereby revealing the relationship between cultural production and the production of worlds, between aesthetics and politics. Desde el socialismo mariateguiano y “El problema de la tierra”, hasta las lógicas de representación en El zorro de arriba y el zorro de abajo (1971) y Todas las sangres (1964), novelas de José María Arguedas, este texto aborda las variables y particularidades del acontecer social indígena en Latinoamérica, a través de un análisis crítico de las políticas de representación, y de su vínculo inobjetable con los proyectos políticos de izquierda en la región, particularmente en el siglo XX. A partir de tres nociones claves, y de las relaciones que surgen entre ellas: la fractura de la existencia, que detona la melancolía y la actitud política, que deriva en –y a la par surge de– la imposibilidad, se significan algunas de las apariciones y menciones de las ontologías indígenas en la literatura de Arguedas, y así mismo se devela la relación entre la producción cultural y la producción de mundos, entre la estética y la política.

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