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When Marco Leaves the Building: Intercultural Performances and Other Audiences
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Journal Article
When Marco Leaves the Building: Intercultural Performances and Other Audiences
2012
Overview
What the article identifies as modern is the recognition of a Western audience, rather than a performance that explicitly incorporates Western aesthetic conventions, styles, or narratives. [...]while allowing the Chinese theaters their own modernism, the article nevertheless insists that they respect \"Occidental patronage.\" \"49 The shifting of audiences and their active relationship to the staged presentation-the very aspects Lynn identifies as \"intolerable\" to Western spectators in overt form-were, in a broader sense, crucial to developing performances that responded adeptly to modernity's asymmetrical distributions of cultural and political influence.
Publisher
Johns Hopkins University Press
Subject
