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Petalbent Devils: Louis Zukofsky, Lorine Niedecker, and the Surrealist Praying Mantis
Petalbent Devils: Louis Zukofsky, Lorine Niedecker, and the Surrealist Praying Mantis
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Petalbent Devils: Louis Zukofsky, Lorine Niedecker, and the Surrealist Praying Mantis
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Petalbent Devils: Louis Zukofsky, Lorine Niedecker, and the Surrealist Praying Mantis
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Petalbent Devils: Louis Zukofsky, Lorine Niedecker, and the Surrealist Praying Mantis
Petalbent Devils: Louis Zukofsky, Lorine Niedecker, and the Surrealist Praying Mantis
Journal Article

Petalbent Devils: Louis Zukofsky, Lorine Niedecker, and the Surrealist Praying Mantis

2006
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Overview
Over the past twenty years, Louis Zukofsky's sestina Mantis and its companion poem, Mantis, An Interpretation, have come to occupy a prominent position in the reception of the poet's work and in general discussions of the Objectivist movement. Most accounts focus on one of three issues--the poems' relations to marxism, their relations to imagism, or their relations to formalism. The latter is especially well represented in the critical literature--in the words of Zukofsky's biographer Mark Scroggins, the general consensus seems to be that the knowledge that the poem bears is a function of its relational structure rather than its referential reach. Golston examines the poem's \"referential reach.\"