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Srī Gurugītā: A Sanskrit Devotional Text and Musical Yogic Practice
by
Heimarck, Brita Renée
in
16th century
/ Ancient languages
/ female gurus
/ Gurugītā text and recitation
/ History
/ Meditation
/ musical yoga
/ Sacred texts
/ Sanskrit
/ Self-actualization
/ Siddha Yoga
/ Spirituality
/ svadhyaya (chanting and reciting of sacred texts)
/ Traditions
/ Yoga
/ yogic path of Self-realization
2024
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Srī Gurugītā: A Sanskrit Devotional Text and Musical Yogic Practice
by
Heimarck, Brita Renée
in
16th century
/ Ancient languages
/ female gurus
/ Gurugītā text and recitation
/ History
/ Meditation
/ musical yoga
/ Sacred texts
/ Sanskrit
/ Self-actualization
/ Siddha Yoga
/ Spirituality
/ svadhyaya (chanting and reciting of sacred texts)
/ Traditions
/ Yoga
/ yogic path of Self-realization
2024
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Srī Gurugītā: A Sanskrit Devotional Text and Musical Yogic Practice
by
Heimarck, Brita Renée
in
16th century
/ Ancient languages
/ female gurus
/ Gurugītā text and recitation
/ History
/ Meditation
/ musical yoga
/ Sacred texts
/ Sanskrit
/ Self-actualization
/ Siddha Yoga
/ Spirituality
/ svadhyaya (chanting and reciting of sacred texts)
/ Traditions
/ Yoga
/ yogic path of Self-realization
2024
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Srī Gurugītā: A Sanskrit Devotional Text and Musical Yogic Practice
Journal Article
Srī Gurugītā: A Sanskrit Devotional Text and Musical Yogic Practice
2024
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Overview
This article investigates the Sanskrit hymn, ´Srī Gurugītā, from a scholarly, scriptural, historical, and ethnographic standpoint. Mystical yogic concepts such as chaitanya-shabda (Consciousness–sound) and shravana samadhi (absorption through reading or listening to holy texts) are introduced in the context of Gurugītā recitation. The history of diverse lineages that practice Gurugītā recitation and several historical dimensions of svadhyaya (long-text chanting) and namasankirtana (short chants) are briefly introduced, and the works of Jeremy Morse and Antonio Rigopoulos are closely considered. This article deals with the significant elements of yogic awakening referenced within the Gurugītā text and the goal of liberation cited therein. Many scholars have researched Hinduism, Tantra, Bhakti yoga, and devotion. This article investigates musical devotion in the context of yogic communities dedicated to Gurugītā recitation with the aim of experiencing the inner Self. The democratization and dissemination of this practice have global dimensions.
Publisher
MDPI AG
Subject
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