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Narrating Conspiracy Theories: A Paradoxical Ethics of Otherness, Propaganda and Mistrust
by
Bezrukov, Andrii
, Bohovyk, Oksana
in
Conspiracy
/ Conspiracy Discourse
/ Contemporary literature
/ Cultural factors
/ Escapism
/ Ethics
/ Fiction
/ Fictionality
/ Narratives
/ Novels
/ Otherness
/ Poetics
/ Propaganda
/ Semiotics
/ Social factors
/ Storytelling
/ Troubled Society
/ Untruthfulness
2023
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Narrating Conspiracy Theories: A Paradoxical Ethics of Otherness, Propaganda and Mistrust
by
Bezrukov, Andrii
, Bohovyk, Oksana
in
Conspiracy
/ Conspiracy Discourse
/ Contemporary literature
/ Cultural factors
/ Escapism
/ Ethics
/ Fiction
/ Fictionality
/ Narratives
/ Novels
/ Otherness
/ Poetics
/ Propaganda
/ Semiotics
/ Social factors
/ Storytelling
/ Troubled Society
/ Untruthfulness
2023
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Do you wish to request the book?
Narrating Conspiracy Theories: A Paradoxical Ethics of Otherness, Propaganda and Mistrust
by
Bezrukov, Andrii
, Bohovyk, Oksana
in
Conspiracy
/ Conspiracy Discourse
/ Contemporary literature
/ Cultural factors
/ Escapism
/ Ethics
/ Fiction
/ Fictionality
/ Narratives
/ Novels
/ Otherness
/ Poetics
/ Propaganda
/ Semiotics
/ Social factors
/ Storytelling
/ Troubled Society
/ Untruthfulness
2023
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Narrating Conspiracy Theories: A Paradoxical Ethics of Otherness, Propaganda and Mistrust
Journal Article
Narrating Conspiracy Theories: A Paradoxical Ethics of Otherness, Propaganda and Mistrust
2023
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Overview
Reflecting conspiracy theories in contemporary fiction actualises conspiratorial thinking as a specific sociocultural phenomenon and narrative. Four symptomatic novels – George Orwell’s Nineteen Eighty-Four, Ray Bradbury’s Fahrenheit 451, Ahmed Khaled Towfik’s Utopia, and Stephen King’s The Institute – have been analysed from a conspiratorial perspective to illuminate the most efficient ways of shaping the human perception of reality. For this purpose, the following conspiracy elements have been delineated to be the basis of the novels’ poetics: otherness, propaganda, and mistrust. They affect the authors’ strategies of storytelling in the books written in the era of the end of truth. Following an interdisciplinary approach that primarily includes the method of narrative construction and semiotic analysis, the article focuses on the conspiracy elements for plotting the selected novels and explicates conspiracy narratives for manifesting the paradoxical ethics of truth as fiction. Conceptualising this idea in the sociocultural context confers to such a kind of literature a new ethical dimension.
Publisher
Universita degli Studi di Milano,Milano University Press
Subject
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