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Poem without Language : When a Writing Becomes Traceless
by
Ho, I-Lien
in
Buddhism
/ Calligraphy
/ Chinese calligraphy
/ Chinese culture
/ closed-circuit
/ Daoism
/ gaze
/ ink landscape painting
/ Installation art
/ Landscape art
/ loop
/ Nam June Paik
/ observer
/ Paik, Nam June
/ Performance art
/ Poetry
/ self
/ Statements
/ Taoism
/ the concept of Kongwu (空無, emptiness, nothingness)
/ Water
/ Zhuangzi
2018
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Poem without Language : When a Writing Becomes Traceless
by
Ho, I-Lien
in
Buddhism
/ Calligraphy
/ Chinese calligraphy
/ Chinese culture
/ closed-circuit
/ Daoism
/ gaze
/ ink landscape painting
/ Installation art
/ Landscape art
/ loop
/ Nam June Paik
/ observer
/ Paik, Nam June
/ Performance art
/ Poetry
/ self
/ Statements
/ Taoism
/ the concept of Kongwu (空無, emptiness, nothingness)
/ Water
/ Zhuangzi
2018
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Do you wish to request the book?
Poem without Language : When a Writing Becomes Traceless
by
Ho, I-Lien
in
Buddhism
/ Calligraphy
/ Chinese calligraphy
/ Chinese culture
/ closed-circuit
/ Daoism
/ gaze
/ ink landscape painting
/ Installation art
/ Landscape art
/ loop
/ Nam June Paik
/ observer
/ Paik, Nam June
/ Performance art
/ Poetry
/ self
/ Statements
/ Taoism
/ the concept of Kongwu (空無, emptiness, nothingness)
/ Water
/ Zhuangzi
2018
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Journal Article
Poem without Language : When a Writing Becomes Traceless
2018
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Overview
What happens when a writing cannot perform its function of documentation and
indication? In the installation performance
, developed from the action score
, the multiple
closed-circuit videos raise the question of “who” can occupy the
position of the observer, challenging tunnel-vision perspectivism. Such an
orchestra of gazes resonates with the spatial organization in Chinese ink
landscape painting, which challenges the anthropocentric ordering of things;
responds to Nam June Paik’s approach to media, which disrupts the habitual
way of perceiving conditioned by the mass media; and resonates with the concept
of
(空無, emptiness,
nothingness) from Daoism and Buddhism.
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