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“Art and Objecthood,” Michael Fried and Jonathan Edwards
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“Art and Objecthood,” Michael Fried and Jonathan Edwards
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Journal Article
“Art and Objecthood,” Michael Fried and Jonathan Edwards
2023
Overview
1967 m. Michaelo Friedo esė „Menas ir objektyvumas“ yra vienas žinomiausių ir įtakingiausių kada nors parašytų meno kritikos kūrinių, kuris ir toliau kuria naujas interpretacijas. Tačiau jos atvirai teologinė sudėtis niekada nebuvo nuodugniai tyrinėta. Šiame straipsnyje pagrindinis dėmesys skiriamas Friedo sprendimui kaip savo epigramą naudoti ilgą citatą iš Perry Millerio biografijos apie teologą Jonathaną Edwardsą, kurioje tvirtinama, kad Friedo esė labai pagrįsta Edwardso istorijos ir malonės sampratomis bei jai būdingomis formuluotėmis, atskleidžiančiomis aktyvų įsitraukimą į Millerio tekstą. Žinoma, kontekstai, kuriuose Edwardsas ir Friedas dirbo, buvo nepalyginamai skirtingi. Nepaisant to, išnagrinėjus būdus, kuriais Friedas rėmėsi Millerio tekstu ir Edwardso idėjomis, paaiškėjo, kad kuriant „Meną ir objektyvumą“ jie abu produktyviai paveikė šį meno teorijos traktatą.
Michael Fried’s 1967 essay “Art and Objecthood” is one of the most well-known and influential pieces of art criticism ever written, and continues to generate novel interpretations. Its overtly theological cast, however, has never been the subject of close study. This article focuses on Fried’s decision to use a lengthy quotation from Perry Miller’s biography of the theologian Jonathan Edwards as his epigram, and contends that Fried’s essay is informed in significant ways by Edwards’ notions of history and grace, and characterized by wordings that reveal an active engagement with Miller’s text. Certainly, the contexts in which Edwards and Fried worked were irreducibly different. Nevertheless, an examination of the ways in which Fried drew on Miller’s text and Edwards’ ideas demonstrates that he was productively influenced by both in composing “Art and Objecthood.”
Publisher
Sciendo,De Gruyter Brill Sp. z o.o., Paradigm Publishing Services
