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A Mysterious Island in the Digital Age: Technology and Musical Life on Ulleungdo, South Korea
by
Park, Sung-Hee
, Mills, Simon
in
Clubs
/ Communications Technology
/ Community
/ Community Music
/ Cultural change
/ Cultural history
/ Cultural identity
/ Digital technology
/ Entertainment industry
/ Ethnomusicology
/ Islands
/ Karaoke
/ Korean Music
/ Music
/ Music Education
/ Music Technology
/ Reliance
/ Saxophone
/ South Korea
/ Technological dependence
/ Technological Trends
/ Technology
/ Ulleungdo
2013
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A Mysterious Island in the Digital Age: Technology and Musical Life on Ulleungdo, South Korea
by
Park, Sung-Hee
, Mills, Simon
in
Clubs
/ Communications Technology
/ Community
/ Community Music
/ Cultural change
/ Cultural history
/ Cultural identity
/ Digital technology
/ Entertainment industry
/ Ethnomusicology
/ Islands
/ Karaoke
/ Korean Music
/ Music
/ Music Education
/ Music Technology
/ Reliance
/ Saxophone
/ South Korea
/ Technological dependence
/ Technological Trends
/ Technology
/ Ulleungdo
2013
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Do you wish to request the book?
A Mysterious Island in the Digital Age: Technology and Musical Life on Ulleungdo, South Korea
by
Park, Sung-Hee
, Mills, Simon
in
Clubs
/ Communications Technology
/ Community
/ Community Music
/ Cultural change
/ Cultural history
/ Cultural identity
/ Digital technology
/ Entertainment industry
/ Ethnomusicology
/ Islands
/ Karaoke
/ Korean Music
/ Music
/ Music Education
/ Music Technology
/ Reliance
/ Saxophone
/ South Korea
/ Technological dependence
/ Technological Trends
/ Technology
/ Ulleungdo
2013
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A Mysterious Island in the Digital Age: Technology and Musical Life on Ulleungdo, South Korea
Journal Article
A Mysterious Island in the Digital Age: Technology and Musical Life on Ulleungdo, South Korea
2013
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Overview
This paper contributes to the growing body of ethnomusicological research about music-making on small islands, focusing on the remote South Korean island of Ulleungdo (literally, 'Mysterious Island'). Historically, a number of factors have conspired to present serious obstacles to the Ulleungdo islanders' musical aspirations. However, since the early 1990s, enterprising amateurs have managed to generate and maintain a variety of musical activities in spite of these obstacles: church ensembles, karaoke, saxophone clubs, and more. Paralleling other island music studies, this paper seeks to show how the condition of being an Ulleungdo islander-entailing a complex of varied experiences, values, and relationships-has informed music-making over the years. However, here, the discussion remains firmly focused upon the islanders' use of technology since an acute reliance on technology has come to permeate Ulleungdo's musical life, with certain electronic devices commonly regarded as essential facilitators of musical expression. Drawing from the islanders' own testimonies, studies of Ulleungdo's cultural history, and works addressing technology's applications within and effects upon local communities, the authors explore how and why this condition of musical techno-reliance developed, how it is manifest in the present-day, and its broader implications for the island's music culture and identity.
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