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Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism
by
Galenson, David W.
, Weinberg, Bruce A.
in
20th century
/ Age
/ Art dealing
/ Art galleries & museums
/ Artistic movements
/ Artists
/ Auctions
/ Career development
/ Careers
/ Comparative analysis
/ Conceptual art
/ Contemporary art
/ Creativity
/ Cubism
/ Cultural values
/ Econometrics
/ Emotional distress
/ Impressionism
/ Innovations
/ Labor economics
/ Modern art
/ Modernist art
/ Painters
/ Political economy
/ Productivity
/ Psychologists
/ Shorter Papers
/ Statistical analysis
/ Studies
2001
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Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism
by
Galenson, David W.
, Weinberg, Bruce A.
in
20th century
/ Age
/ Art dealing
/ Art galleries & museums
/ Artistic movements
/ Artists
/ Auctions
/ Career development
/ Careers
/ Comparative analysis
/ Conceptual art
/ Contemporary art
/ Creativity
/ Cubism
/ Cultural values
/ Econometrics
/ Emotional distress
/ Impressionism
/ Innovations
/ Labor economics
/ Modern art
/ Modernist art
/ Painters
/ Political economy
/ Productivity
/ Psychologists
/ Shorter Papers
/ Statistical analysis
/ Studies
2001
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Do you wish to request the book?
Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism
by
Galenson, David W.
, Weinberg, Bruce A.
in
20th century
/ Age
/ Art dealing
/ Art galleries & museums
/ Artistic movements
/ Artists
/ Auctions
/ Career development
/ Careers
/ Comparative analysis
/ Conceptual art
/ Contemporary art
/ Creativity
/ Cubism
/ Cultural values
/ Econometrics
/ Emotional distress
/ Impressionism
/ Innovations
/ Labor economics
/ Modern art
/ Modernist art
/ Painters
/ Political economy
/ Productivity
/ Psychologists
/ Shorter Papers
/ Statistical analysis
/ Studies
2001
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Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism
Journal Article
Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism
2001
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Overview
Evidence from the twentieth-century auction market is used to examine the relationship between artists' ages and the value of their paintings for a group of artists' ages and the value of their paintings for a group of artists, including Cezanne and Picasso, who dominated that early development. This will allow a test of the hypothesis that this relationship changed systematically during the first century of that art.
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