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Monuments of Ruination in Postwar Berlin and Warsaw: The Architectural Projects of Bohdan Lachert and Daniel Libeskind
by
Meng, Michael
in
Architects
/ Architecture
/ Aspiration
/ Buildings
/ Cities
/ Derrida, Jacques
/ Earthquakes
/ European history
/ Genocide
/ Ghettos
/ Holocaust
/ Housing
/ Jewish culture
/ Jewish life & ethics
/ Jewish people
/ Materials of Absence and Presence
/ Memorials & monuments
/ Memory
/ Modernism
/ Monuments
/ Museums
/ Post World War II period
/ Suffering
2017
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Monuments of Ruination in Postwar Berlin and Warsaw: The Architectural Projects of Bohdan Lachert and Daniel Libeskind
by
Meng, Michael
in
Architects
/ Architecture
/ Aspiration
/ Buildings
/ Cities
/ Derrida, Jacques
/ Earthquakes
/ European history
/ Genocide
/ Ghettos
/ Holocaust
/ Housing
/ Jewish culture
/ Jewish life & ethics
/ Jewish people
/ Materials of Absence and Presence
/ Memorials & monuments
/ Memory
/ Modernism
/ Monuments
/ Museums
/ Post World War II period
/ Suffering
2017
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Do you wish to request the book?
Monuments of Ruination in Postwar Berlin and Warsaw: The Architectural Projects of Bohdan Lachert and Daniel Libeskind
by
Meng, Michael
in
Architects
/ Architecture
/ Aspiration
/ Buildings
/ Cities
/ Derrida, Jacques
/ Earthquakes
/ European history
/ Genocide
/ Ghettos
/ Holocaust
/ Housing
/ Jewish culture
/ Jewish life & ethics
/ Jewish people
/ Materials of Absence and Presence
/ Memorials & monuments
/ Memory
/ Modernism
/ Monuments
/ Museums
/ Post World War II period
/ Suffering
2017
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Monuments of Ruination in Postwar Berlin and Warsaw: The Architectural Projects of Bohdan Lachert and Daniel Libeskind
Journal Article
Monuments of Ruination in Postwar Berlin and Warsaw: The Architectural Projects of Bohdan Lachert and Daniel Libeskind
2017
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Overview
This essay provides an interpretation of parallel attempts to represent ruination in the cities of Warsaw and Berlin after the Holocaust—the architectural projects of Bohdan Lachert and Daniel Libeskind. Lachert strove to represent the ruination of Jewish life in Warsaw through a modernist housing project, whereas Libeskind sought to represent Jewish ruination in a museum. While these two projects might seem different, they come together around a shared aspiration: to represent absence and ruination. Both projects endeavored to create a new kind of memorial that moved away from the conventional form. Rather than turning away from ruination and suffering as the conventional monument has done, Libeskind and Lachert sought to develop a new, non-salvific kind of monument that would reflect on death, suffering, and emptiness. This essay emphasizes the novelty of their attempts to create a different relationship to the absence that is the past, while it also explores some of the central challenges—both historical and theoretical—that both architects faced in implementing their artistic visions.
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