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The Clustering of Creative Networks: Between Myth and Reality
by
van Heur, Bas
in
Accumulation
/ Aesthetics
/ Berlin, Federal Republic of Germany
/ Business networking
/ Cities
/ Clustering
/ Clusters
/ Commercial production
/ Creativity
/ Cultural industries
/ Cultural production
/ Deflection
/ Learning
/ London, England
/ Metropolitan areas
/ Modes of production
/ Music
/ Music industry
/ Musical aesthetics
/ Mythology
/ Network analysis
/ Networks
/ Production
/ Record producers
/ Recording industry
/ Regulation
/ Social Networks
/ Spatial analysis
/ Tacit knowledge
2009
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The Clustering of Creative Networks: Between Myth and Reality
by
van Heur, Bas
in
Accumulation
/ Aesthetics
/ Berlin, Federal Republic of Germany
/ Business networking
/ Cities
/ Clustering
/ Clusters
/ Commercial production
/ Creativity
/ Cultural industries
/ Cultural production
/ Deflection
/ Learning
/ London, England
/ Metropolitan areas
/ Modes of production
/ Music
/ Music industry
/ Musical aesthetics
/ Mythology
/ Network analysis
/ Networks
/ Production
/ Record producers
/ Recording industry
/ Regulation
/ Social Networks
/ Spatial analysis
/ Tacit knowledge
2009
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Do you wish to request the book?
The Clustering of Creative Networks: Between Myth and Reality
by
van Heur, Bas
in
Accumulation
/ Aesthetics
/ Berlin, Federal Republic of Germany
/ Business networking
/ Cities
/ Clustering
/ Clusters
/ Commercial production
/ Creativity
/ Cultural industries
/ Cultural production
/ Deflection
/ Learning
/ London, England
/ Metropolitan areas
/ Modes of production
/ Music
/ Music industry
/ Musical aesthetics
/ Mythology
/ Network analysis
/ Networks
/ Production
/ Record producers
/ Recording industry
/ Regulation
/ Social Networks
/ Spatial analysis
/ Tacit knowledge
2009
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The Clustering of Creative Networks: Between Myth and Reality
Journal Article
The Clustering of Creative Networks: Between Myth and Reality
2009
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Overview
This paper discusses the myths and realities surrounding the clustering of creative networks through a critical analysis of music production and its clustering tendencies in London and Berlin. Instead of assuming that networks 'naturally' cluster for a variety of reasons, the focus is on the tensions between networks of aesthetic production and the 'creative clusters' that emerge from these networks. It is argued that the clustering of networks is structured by the contemporary accumulation regime and mode of regulation and that these direct aesthetic production in system-confirmative ways. At the same time, in order to understand the specificity of aesthetic practices, it is necessary to grasp the constitutive role played by networks in deflecting and transforming the structuring effects of creative clusters.
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