Asset Details
Do you wish to reserve the book?
Tone in Mabia Languages: Structure and Processes
Hey, we have placed the reservation for you!
By the way, why not check out events that you can attend while you pick your title.
Oops! Something went wrong.
Looks like we were not able to place the reservation. Kindly try again later.
Are you sure you want to remove the book from the shelf?
Tone in Mabia Languages: Structure and Processes
Do you wish to request the book?
Tone in Mabia Languages: Structure and Processes
Please be aware that the book you have requested cannot be checked out. If you would like to checkout this book, you can reserve another copy
We have requested the book for you!
Your request is successful and it will be processed during the Library working hours. Please check the status of your request in My Requests.
Oops! Something went wrong.
Looks like we were not able to place your request. Kindly try again later.
Journal Article
Tone in Mabia Languages: Structure and Processes
2026
Overview
The Mabia languages belong to the Niger–Congo family and are spoken primarily across the savannah and Sahelian regions of West Africa, including northern Ghana, Ivory Coast, Togo, Benin, Nigeria, Burkina Faso, Niger, and Mali. Tone plays a crucial role in these languages, shaping both lexical meaning and grammatical structure. This study is a synthesis or an overview of previously described facts about the tonal phenomena in six Mabia languages, Dagaare, Dagbani, Gurenɛ, Kusaal, Likpakpaln, and Buli—highlighting their tonal inventories, structures, and distinctive tonal processes. Dagaare and Dagbani exhibit a two-tone system (high and low), with an additional down-stepped high tone. Kusaal, Likpakpaln, and Buli employ a three-tone system (high, mid, and low), while the tonal status of Gurenɛ remains contested: some scholars describe it as a two-tone language, whereas others provide evidence for a three-tone system. The mid tone, though relatively less productive, appears to represent a later innovation within the group. The mid tone performs both lexical and grammatical functions. Notable tonal phenomena across these languages include tonal polarity, low tone spreading, and restrictions on contour tones, with Buli exhibiting particularly productive low tone spread. In all six languages, tone plays both lexical and grammatical functions. This paper explores these features and offers basic theoretical explanations for their occurrence. Overall, tone is a defining characteristic of the Mabia languages, intricately shaping their phonological and morphological structures.
Publisher
MDPI AG
Subject
