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Videographic geographies: Using digital video for geographic research
by
Garrett, Bradley L.
in
20th century
/ Anthropology
/ Audiovisual methods
/ Bgi / Prodig
/ Consciousness
/ Data collection
/ Digital technology
/ Digital video
/ Ethnographic research
/ Ethnography
/ Ethnology
/ Field study
/ Field work
/ Fieldwork
/ Geodemographics
/ Geographers
/ Geography
/ Human geography
/ Motion pictures
/ Photography
/ Research methodology
/ Social Integration
/ The practice of geography
/ Video
/ Videos
/ Videotape Recordings
2011
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Videographic geographies: Using digital video for geographic research
by
Garrett, Bradley L.
in
20th century
/ Anthropology
/ Audiovisual methods
/ Bgi / Prodig
/ Consciousness
/ Data collection
/ Digital technology
/ Digital video
/ Ethnographic research
/ Ethnography
/ Ethnology
/ Field study
/ Field work
/ Fieldwork
/ Geodemographics
/ Geographers
/ Geography
/ Human geography
/ Motion pictures
/ Photography
/ Research methodology
/ Social Integration
/ The practice of geography
/ Video
/ Videos
/ Videotape Recordings
2011
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Do you wish to request the book?
Videographic geographies: Using digital video for geographic research
by
Garrett, Bradley L.
in
20th century
/ Anthropology
/ Audiovisual methods
/ Bgi / Prodig
/ Consciousness
/ Data collection
/ Digital technology
/ Digital video
/ Ethnographic research
/ Ethnography
/ Ethnology
/ Field study
/ Field work
/ Fieldwork
/ Geodemographics
/ Geographers
/ Geography
/ Human geography
/ Motion pictures
/ Photography
/ Research methodology
/ Social Integration
/ The practice of geography
/ Video
/ Videos
/ Videotape Recordings
2011
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Videographic geographies: Using digital video for geographic research
Journal Article
Videographic geographies: Using digital video for geographic research
2011
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Overview
This article is a review of the ways in which human geography has engaged with film and video. Beginning with a look at the history of cinematic analysis within the discipline, the paper outlines different possible uses for digital video, focusing on its merits as a multisensory ethnographic method. The article encourages geographers to make the move from analysis to production, citing examples from successful recent projects which have done so, endorsing further integration of video into fieldwork and an increase in digital publication to create what we might call videographic geographies.
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