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Vixen Resistin': Redefining Black Womanhood in Hip-Hop Music Videos
by
Balaji, Murali
in
African American culture
/ African Americans
/ African Americans - education
/ African Americans - ethnology
/ African Americans - history
/ African Americans - legislation & jurisprudence
/ African Americans - psychology
/ Agency
/ Agency theory
/ Ambiguity
/ Black people
/ Black women
/ Blacks
/ Commodification
/ Concept formation
/ Consumers
/ Creative industries
/ Cultural Diversity
/ Cultural industries
/ Discourses
/ Female roles
/ Females
/ Feminism
/ Ford, Melyssa
/ Gender roles
/ Hip hop culture
/ Hip hop music
/ History, 20th Century
/ History, 21st Century
/ Humans
/ Identity
/ Mass Media Images
/ Music
/ Music - history
/ Music - psychology
/ Music videos
/ Performing artists
/ Personal empowerment
/ Postmodernism
/ Rap music
/ Resistance
/ Self Concept
/ Self definition
/ Sexuality
/ Sexuality - ethnology
/ Sexuality - history
/ Sexuality - physiology
/ Sexuality - psychology
/ Social Control, Informal - history
/ Social Identification
/ Text analysis
/ Textual analysis
/ Videotape Recording - history
/ Videotape Recordings
/ Womanhood
/ Women
/ Women - education
/ Women - history
/ Women - psychology
/ Women's Health - ethnology
/ Women's Health - history
/ Women's Rights - economics
/ Women's Rights - education
/ Women's Rights - history
/ Women's Rights - legislation & jurisprudence
2010
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Vixen Resistin': Redefining Black Womanhood in Hip-Hop Music Videos
by
Balaji, Murali
in
African American culture
/ African Americans
/ African Americans - education
/ African Americans - ethnology
/ African Americans - history
/ African Americans - legislation & jurisprudence
/ African Americans - psychology
/ Agency
/ Agency theory
/ Ambiguity
/ Black people
/ Black women
/ Blacks
/ Commodification
/ Concept formation
/ Consumers
/ Creative industries
/ Cultural Diversity
/ Cultural industries
/ Discourses
/ Female roles
/ Females
/ Feminism
/ Ford, Melyssa
/ Gender roles
/ Hip hop culture
/ Hip hop music
/ History, 20th Century
/ History, 21st Century
/ Humans
/ Identity
/ Mass Media Images
/ Music
/ Music - history
/ Music - psychology
/ Music videos
/ Performing artists
/ Personal empowerment
/ Postmodernism
/ Rap music
/ Resistance
/ Self Concept
/ Self definition
/ Sexuality
/ Sexuality - ethnology
/ Sexuality - history
/ Sexuality - physiology
/ Sexuality - psychology
/ Social Control, Informal - history
/ Social Identification
/ Text analysis
/ Textual analysis
/ Videotape Recording - history
/ Videotape Recordings
/ Womanhood
/ Women
/ Women - education
/ Women - history
/ Women - psychology
/ Women's Health - ethnology
/ Women's Health - history
/ Women's Rights - economics
/ Women's Rights - education
/ Women's Rights - history
/ Women's Rights - legislation & jurisprudence
2010
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Do you wish to request the book?
Vixen Resistin': Redefining Black Womanhood in Hip-Hop Music Videos
by
Balaji, Murali
in
African American culture
/ African Americans
/ African Americans - education
/ African Americans - ethnology
/ African Americans - history
/ African Americans - legislation & jurisprudence
/ African Americans - psychology
/ Agency
/ Agency theory
/ Ambiguity
/ Black people
/ Black women
/ Blacks
/ Commodification
/ Concept formation
/ Consumers
/ Creative industries
/ Cultural Diversity
/ Cultural industries
/ Discourses
/ Female roles
/ Females
/ Feminism
/ Ford, Melyssa
/ Gender roles
/ Hip hop culture
/ Hip hop music
/ History, 20th Century
/ History, 21st Century
/ Humans
/ Identity
/ Mass Media Images
/ Music
/ Music - history
/ Music - psychology
/ Music videos
/ Performing artists
/ Personal empowerment
/ Postmodernism
/ Rap music
/ Resistance
/ Self Concept
/ Self definition
/ Sexuality
/ Sexuality - ethnology
/ Sexuality - history
/ Sexuality - physiology
/ Sexuality - psychology
/ Social Control, Informal - history
/ Social Identification
/ Text analysis
/ Textual analysis
/ Videotape Recording - history
/ Videotape Recordings
/ Womanhood
/ Women
/ Women - education
/ Women - history
/ Women - psychology
/ Women's Health - ethnology
/ Women's Health - history
/ Women's Rights - economics
/ Women's Rights - education
/ Women's Rights - history
/ Women's Rights - legislation & jurisprudence
2010
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Vixen Resistin': Redefining Black Womanhood in Hip-Hop Music Videos
Journal Article
Vixen Resistin': Redefining Black Womanhood in Hip-Hop Music Videos
2010
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Overview
In recent years, scholarship on Black womanhood has become more closely connected to postmodern discourses on identity and resistance, following in the footsteps of Audre Lorde's claim that identity and sexuality have emancipatory potential. However, in the post-hip-hop era, feminists and media critics have once again brought up the idea of who controls the image. The purpose of this study is to describe possible sites of self-definition by Black women in music videos while accounting for the cultural industries that reproduce and exploit Black women's sexuality. Using textual analysis and the perspective of a noted music video performer, Melyssa Ford, this study articulates the expanse of ambiguity that lies between the images of Black womanhood that bombard consumers of BET and MTV and the self-conceptualization of the women who play those roles.
Publisher
Sage Publications,SAGE Publications,SAGE PUBLICATIONS, INC
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