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Discrete/Continuous
by
MOSELEY, ROGER
, KRÄMER, SYBILLE
, McMURRAY, PETER
, REHDING, ALEXANDER
, KREUZER, GUNDULA
in
Academic discourse
/ Analysis
/ Colloquy
/ Communications industry
/ Criticism and interpretation
/ Interdisciplinary aspects
/ Kittler, Friedrich
/ Kittler, Friedrich A
/ Mass media
/ Media
/ Music
/ Musicology
/ Scholars
/ Scientific technical language
/ Theory
2017
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Discrete/Continuous
by
MOSELEY, ROGER
, KRÄMER, SYBILLE
, McMURRAY, PETER
, REHDING, ALEXANDER
, KREUZER, GUNDULA
in
Academic discourse
/ Analysis
/ Colloquy
/ Communications industry
/ Criticism and interpretation
/ Interdisciplinary aspects
/ Kittler, Friedrich
/ Kittler, Friedrich A
/ Mass media
/ Media
/ Music
/ Musicology
/ Scholars
/ Scientific technical language
/ Theory
2017
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Do you wish to request the book?
Discrete/Continuous
by
MOSELEY, ROGER
, KRÄMER, SYBILLE
, McMURRAY, PETER
, REHDING, ALEXANDER
, KREUZER, GUNDULA
in
Academic discourse
/ Analysis
/ Colloquy
/ Communications industry
/ Criticism and interpretation
/ Interdisciplinary aspects
/ Kittler, Friedrich
/ Kittler, Friedrich A
/ Mass media
/ Media
/ Music
/ Musicology
/ Scholars
/ Scientific technical language
/ Theory
2017
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Journal Article
Discrete/Continuous
2017
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Overview
Rehding discusses the music and media theory after Kittler. The basic principles on which Kittler's media theory builds could not be simpler: data goes in, gets processed, and comes out. Or, in slightly more technical language, a medium is defined by three criteria: selection, storage, transmission. This model is enormously flexible, and it allowed Kittler to consider such disparate things as typewriters, the medieval university, and the city.
Publisher
University of California Press,University of California Press Books Division
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