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SEEING THE INVISIBLE, FEELING THE VISIBLE: Michel Henry on Aesthetics and Abstraction
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Journal Article
SEEING THE INVISIBLE, FEELING THE VISIBLE: Michel Henry on Aesthetics and Abstraction
2013
Overview
The Romantic conviction that art can save religious experience from its weakness and dogmatic entanglements represented, despite some ambiguities, a real chance for theological thinking. Yet it is not art itself, but its effects, or better its capacity to strengthen their will to life that attracted Romantic minds and persuaded them to focus on the problem of sensibility, or aesthetics. And thus in Romantic Idealism, aesthetics was identified as a fundamental paradigm of reflection, not only with regard to art, but as a valuable model for the interpretation of human experience as a whole, also including the religious sphere. Here, Zordan discusses Michel Henry's thoughts about art as a \"culture of sensibility\" and about aesthetics as a philosophical perspective on the transcendental conditions of human experience.
Publisher
Wiley Subscription Services, Inc,The University of North Carolina Press,Association for Religion and Intellectual Life,University of North Carolina Press,Blackwell Publishing Ltd
Subject
