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How to Make a Queer Scene, or Notes toward a Practice of Affective Curation
by
Ramzi Fawaz
in
Acquired immune deficiency syndrome
/ Aesthetics
/ AIDS
/ Classrooms
/ Criticism and interpretation
/ Data curation
/ Documentary films
/ Emotional expression
/ Emotional states
/ Forum: Trigger Warnings in the Classroom
/ Gender identity
/ HIV
/ Human immunodeficiency virus
/ LGBT
/ Movies
/ Pedagogy
/ Pleasure
/ Political aspects
/ Politics
/ Queer culture
/ Queer studies
/ Social aspects
/ Students
/ Study and teaching
/ Teaching
/ Warnings
2016
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How to Make a Queer Scene, or Notes toward a Practice of Affective Curation
by
Ramzi Fawaz
in
Acquired immune deficiency syndrome
/ Aesthetics
/ AIDS
/ Classrooms
/ Criticism and interpretation
/ Data curation
/ Documentary films
/ Emotional expression
/ Emotional states
/ Forum: Trigger Warnings in the Classroom
/ Gender identity
/ HIV
/ Human immunodeficiency virus
/ LGBT
/ Movies
/ Pedagogy
/ Pleasure
/ Political aspects
/ Politics
/ Queer culture
/ Queer studies
/ Social aspects
/ Students
/ Study and teaching
/ Teaching
/ Warnings
2016
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Do you wish to request the book?
How to Make a Queer Scene, or Notes toward a Practice of Affective Curation
by
Ramzi Fawaz
in
Acquired immune deficiency syndrome
/ Aesthetics
/ AIDS
/ Classrooms
/ Criticism and interpretation
/ Data curation
/ Documentary films
/ Emotional expression
/ Emotional states
/ Forum: Trigger Warnings in the Classroom
/ Gender identity
/ HIV
/ Human immunodeficiency virus
/ LGBT
/ Movies
/ Pedagogy
/ Pleasure
/ Political aspects
/ Politics
/ Queer culture
/ Queer studies
/ Social aspects
/ Students
/ Study and teaching
/ Teaching
/ Warnings
2016
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How to Make a Queer Scene, or Notes toward a Practice of Affective Curation
Journal Article
How to Make a Queer Scene, or Notes toward a Practice of Affective Curation
2016
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Overview
Ramzi Fawaz recounts two pedagogical scenarios about teaching queer- and AIDS-related materials to university students because they illuminate a central, yet often uninterrogated, aspect of the contemporary national debates around trigger warnings: namely the slippage between actual experiences of psychological trauma triggered byviolent or disturbing media content, and the generalized feeling of discomfort aroused in students when they encounter objects, secnarios and ideas contrary to their worldview. While these two definitions of triggering do not carry the same epistemic or ethical gravitas, the reactions of students being made uncomfortable can catalyze openness to interrogating their affective responses to the world or can create a defensive posture against perceived threats to their point of view. This essay explores the pedagogical necessity of \"triggering\" students (in the sense of jolting them out of their psychological and ontological complacency) to allow for new insight and learning to happen within such discomfort. OA
Publisher
Feminist Studies, Inc
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